Once: SATB Choral Octavo
Choral Highlights
Featuring the music of Glen Hansard / arr. Lisa DeSpain
Item: 00-PO-0001742
Minimum order quantity: 20 copies
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More about this title
About the Artist: Glen Hansard
Glen Hansard is an Irish musician and actor best known for his role in the 2007 film Once, where he performed original music alongside Markéta Irglová. His work on the film's soundtrack earned him an Academy Award for Best Original Song ("Falling Slowly"), establishing him as a distinctive voice in contemporary folk and indie music. Beyond Once, Hansard has maintained a prolific career as a recording artist and performer, drawing on traditional Irish influences and introspective songwriting.
When Once was adapted into a stage musical, Hansard's compositions translated into a Broadway sensation that captured multiple Tony Awards. His music balances intimate storytelling with accessible melodic sensibility, making it particularly valuable for choral arrangers seeking material that resonates with student singers and audiences alike.
Why we love this
This medley distills the emotional core of a modern musical classic into five minutes of singable, meaningful material. Lisa DeSpain's arrangement respects Hansard's folk-influenced writing while giving SATB voices clear, independent lines that feel natural rather than forced. Choirs consistently report that Once resonates with their singers in ways that spark genuine engagement with the repertoire.
What to expect
Warm, introspective, and achingly human. The music carries the intimacy of a street performer's melody, with moments of surprising harmonic sophistication that deepen as the medley unfolds. It feels like a conversation overheard rather than a formal presentation.
Who it's for
This octavo suits choirs seeking contemporary material with broad appeal. High school and college programs looking for concert pieces that connect with audiences beyond traditional classical or show tune listeners will find strong material here.
How to get the most out of it
- Lean into the conversational quality of the text. These lyrics tell a story, so encourage singers to hear themselves as characters rather than abstract voices.
- Use the recorded accompaniment to establish the folk-influenced harmonic language and tempo relationships between sections. The arrangement sits comfortably with it.
- Balance transparency in the voicing. Even when all four parts are singing, the texture should feel intimate, not orchestral.
- Work the modulations carefully. The medley structure means key changes become structural moments; mark them clearly and ensure the choir doesn't push the tempo when moving between sections.
How to use it
Program this as a bridge between classical and contemporary repertoire, or pair it with other accessible modern musicals to demonstrate the artistic range of stage writing today. It works equally well as a standalone piece in a pop or chamber concert context.
Skills your students will build
- Singing through a medley structure with multiple key centers
- Phrasing text-driven melodies with natural speech rhythm
- Balancing blend across four independent vocal lines in contemporary harmonic language
- Interpreting emotional subtext in secular, narrative-based choral writing