Once Cover Image

Once: SAB Choral Octavo

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Once Cover Image

Once: SAB Choral Octavo

Choral Highlights

Featuring the music of Glen Hansard / arr. Lisa DeSpain

Item: 00-40011

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Description
Based on the Academy Award-winning film featuring the music of Glen Hansard, this musical was also a multiple Tony winner. An artistic five-minute medley.

Don't just read it, hear it, play along with it, and watch your students grow with it. In MakeMusic Cloud, Once: SAB Choral Octavo comes alive with professional accompaniment, adjustable tempo, and built-in practice tools that turn solo practice into real progress.

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Additional Details
Series: Alfred Pop Choral Series
Publisher: Alfred Music
Page Count: 12
UPC: 038081446707
SKU: 00-40011

More about this title

About the Artist: Glen Hansard

Glen Hansard is an Irish singer-songwriter and musician best known as the frontman of The Frames and for his film work. His collaboration with Markéta Irglová on the "Once" soundtrack earned an Academy Award for Best Original Song ("Falling Slowly"), establishing him as a composer for cinema and theater with a gift for intimate, emotionally resonant storytelling through music.

Why we love this

This medley captures the quiet power of "Once" without requiring a full musical production. Arranger Lisa DeSpain crafts a five-minute journey that preserves the film's folk-influenced warmth while remaining singable for developing SAB choirs, making it an ideal choice for programs that need contemporary repertoire with artistic substance.

What to expect

The piece carries the bittersweet intimacy of the original film, with folk-tinged harmonies and a conversational melodic quality that feels less like formal choral singing and more like a group of voices sharing a story. You'll find moments of quiet vulnerability alongside passages of gentle warmth, creating an emotional arc that lingers after the final notes fade.

Who it's for

Directors seeking a contemporary choral piece that appeals to audiences familiar with the film or musical, and to singers in developing SAB choirs who benefit from working with emotionally mature repertoire. This arrangement works well for ensembles with solid intonation and the ability to sing expressively at softer dynamic levels.

How to get the most out of it

  • Balance the melody between your soprano and alto lines throughout the medley to honor the conversational quality of the original musical's duets.
  • Use the recorded accompaniment to establish the folk-influenced harmonic palette and help your choir absorb the piece's rubato and dynamic subtleties.
  • Shape each section of the medley as its own moment rather than rushing transitions; the quiet reflection of "Once" depends on giving each idea room to breathe.
  • Attend to blend in the SAB voicing, especially where the arrangement thins texturally; clarity matters more than volume in this musical style.

How to use it

This works beautifully as a bridge piece between your classical or jazz selections and lighter pop arrangements, or as an emotional centerpiece in a program built around film or musical theater music. The twelve-page length makes it substantial enough to stand on its own without overwhelming a concert structure.

Skills your students will build

  • Singing with expressive dynamics and rubato in a contemporary folk idiom
  • Blending SAB voicing while maintaining melodic clarity
  • Interpreting text with emotional nuance and restraint
  • Responding to recorded accompaniment and adjusting ensemble balance accordingly

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