On the Stage Cover Image

On the Stage: 3-Part Mixed Choral Octavo

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On the Stage: 3-Part Mixed Choral Octavo

Music by Sally K. Albrecht and Jay Althouse

Item: 00-23046

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Description
Turn your choir members into stars with this dazzling new broadway number by Sally K. Albrecht and Jay Althouse! A bouncy 2-beat accompaniment sets the stage for your future headliners to sing the praises of performing, and to show how talented they are! "How we love to be in the light. Turn that spot, and switch it to bright." Great as an opener, then reprise it at the end of your show. It's the title song on this year's choral movement video/DVD. Featured on the new staging DVD/Video "On the Stage!" (DVD #23037, Video #23129).

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Additional Details
Series: Alfred Choral Designs
Publisher: Alfred Music
Page Count: 12
UPC: 038081222301
SKU: 00-23046

More about this title

About the Composer: Sally K. Albrecht

Sally K. Albrecht

Sally K. Albrecht has shaped American choral music for over three decades, bringing theatrical vitality to repertoire for young singers. Her output spans more than 600 published works and 75 larger musicals and songbooks, earning her annual ASCAP Special Music Awards since 1987. As Director of School Choral, Vocal, and Elementary Publications at Alfred Music, she championed accessible, engaging literature while conducting honor choirs at prestigious venues including Lincoln Center, Carnegie Hall, and The Kennedy Center. Her training in both music and theater (B.A. from Rollins College, M.A. in Drama and M.M. in Accompanying from the University of Miami) informs everything she writes.

Albrecht's distinctive voice lies in her integration of movement and staging into choral writing. She collaborates frequently with composer and arranger Jay Althouse, her husband, to create pieces that energize performers and audiences alike. Her leadership extends beyond composition: she served as Chair of the Board of Trustees for the Omicron Delta Kappa National Leadership Honor Society and received the Distinguished Alumna Award from both the University of Miami Frost School of Music and Rollins College in 2021.

Why we love this

Albrecht and Althouse deliver a show-stopping opener that doesn't require elaborate sets or costumes to land. The bouncy 2-beat rhythm and celebratory lyrics about the joy of performing connect immediately with singers and audiences, making it ideal for directors seeking an energizing first impression that doubles as a satisfying reprised finale. The built-in staging opportunities and connection to the companion movement DVD turn what could be a simple song into a full theatrical moment.

What to expect

Electric and celebratory. The bouncy accompaniment and shimmering lyrics create an immediate sense of showtime anticipation, while the straightforward melody allows every singer to feel like a featured performer rather than an ensemble voice. It's the musical equivalent of stage lights flooding the house: bright, welcoming, and full of possibility.

Who it's for

Middle school and high school choirs looking for a confident, crowd-pleasing opener that celebrates the performer's experience. Singers benefit from the upbeat energy and straightforward 3-part mixed voicing, while directors gain a piece flexible enough to open a concert and strong enough to reprise as a finale.

How to get the most out of it

  • Emphasize the rhythmic precision of the 2-beat groove in rehearsal; lock the rhythm section early so soloists and background voices sit confidently in the pocket.
  • Layer in the movement gradually. Teach the music first, then add choreography in separate rehearsals so singers aren't fighting coordination issues while learning notes.
  • Use the recorded accompaniment during early run-throughs to establish tempo and energy, then shift to live accompaniment once pitches are secure.
  • Treat the spotlight imagery literally. Stage singers to face out toward the audience during the 'Turn that spot, and switch it to bright' section to maximize the theatrical payoff.

How to use it

Open your concert with this piece to establish an upbeat, theatrical tone and signal to your audience that they're in for an entertaining evening. Reprise it at the end of the show to bookend your program and send singers and listeners out on a high note of pure joy.

Skills your students will build

  • Maintaining a consistent groove in 2-beat time signature
  • Balancing ensemble blend while singing with rhythmic precision
  • Coordinating singing with movement and staging cues
  • Projecting confidence and stage presence during performance
  • Interpreting lyrical imagery through physical expression

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