On the Stage: 3-Part Mixed Choral Octavo
Music by Sally K. Albrecht and Jay Althouse
Item: 00-PO-0006534
Minimum order quantity: 20 copies
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About the Composer: Sally K. Albrecht

Sally K. Albrecht has shaped choral music education for over thirty years, first as Director of School Choral, Vocal, and Elementary Publications at major educational publishers including Alfred Music, and throughout her career as a sought-after clinician and conductor. Her output of more than 600 published choral works and 75 larger theatrical compositions reflects her deep understanding of what students can accomplish; she has conducted honor choirs at Lincoln Center, Carnegie Hall, and The Kennedy Center, and has been recognized annually by ASCAP with the Special Music Award since 1987.
Educated at Rollins College with a B.A. in Music and Theater (1976), Albrecht went on to earn both an M.A. in Drama and an M.M. in Accompanying from the University of Miami. Her work is distinguished by a gift for integrating movement and staging into choral performance. In 2021, she received the Distinguished Alumna Award from both the University of Miami Frost School of Music and Rollins College, where she serves as a Board member. She lives in North Carolina with her husband, composer and arranger Jay Althouse.
Why we love this
Albrecht and Althouse have written a piece that makes your choir feel like professional performers from measure one. The bouncy 2-beat rhythm and Broadway-ready melodic material give singers genuine star quality, while the built-in staging directions and alignment with the accompanying movement DVD mean your choir can rehearse and perform with confidence and flair.
What to expect
Stepping into the spotlight with a friend who wants you to shine. The piece hums with infectious energy and playful swagger, built on a foundation of joy about the act of performing itself. Singers feel their own talent reflected back at them through lyrics and music that genuinely celebrate what they do.
Who it's for
Choirs with mixed treble and lower voices looking for contemporary Broadway material that energizes rehearsals and excites audiences. This works equally well for middle school, high school, or recreational adult choirs seeking repertoire that celebrates the joy of singing and performing.
How to get the most out of it
- Lean into the brightness of the 2-beat feel; keep the tempo light and energetic so the accompaniment propels the singers forward without rushing.
- Work the movement and staging in tandem with the singing. The physical storytelling matters as much as the vocal line here, so integrate blocking early in rehearsal rather than adding it last.
- Nail the unison moments and the voiced sections with clear articulation. The lyrics celebrate performance itself, so diction should be crisp and confident throughout.
- If using the recorded accompaniment, rehearse with it frequently so singers internalize the groove and feel secure performing alongside the track.
How to use it
Use this as your concert opener to set an upbeat, celebratory tone from the first note. Its Broadway appeal and built-in audience engagement make it ideal for variety shows, spring concerts, or community performances. Reprising it as a finale (as suggested in the material) creates a bookend that leaves the audience energized and reminds your singers of the confidence they brought to the entire program.
Skills your students will build
- Singing in a steady 2-beat feel and maintaining rhythmic cohesion with a recorded accompaniment
- Balancing ensemble blend across SAB voicing while keeping individual voice parts clear and confident
- Integrating movement and staging with vocal performance
- Performing with stylistic awareness of Broadway musical theater conventions
- Building confidence in solo and featured vocal moments