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New Light Shining: SATB Choral Octavo

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New Light Shining: SATB Choral Octavo

Words and music by Mark Cabaniss, Pat Luboff, and Pete Luboff / arr. Alan Billingsley

Item: 00-41592

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Description
This uplifting anthem sounds like a current radio hit---the kind you'll want to sing again and again. Its powerful contemporary pop hook makes for a perfect celebration at the beginning of the year or a fitting sentiment at the end.

Don't just read it, hear it, play along with it, and watch your students grow with it. In MakeMusic Cloud, New Light Shining: SATB Choral Octavo comes alive with professional accompaniment, adjustable tempo, and built-in practice tools that turn solo practice into real progress.

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Additional Details
Series: Alfred Choral Designs
Publisher: Alfred Music
Page Count: 12
UPC: 038081466729
SKU: 00-41592

More about this title

About the Composer: Mark Cabaniss

Mark Cabaniss

Mark Cabaniss is a Nashville-based composer, music publisher, and producer whose catalogue spans musical theater, cantatas, and instrumental works. An ASCAP-affiliated composer and multiple recipient of the ASCAP Popular Music Award, he has seen his stage works performed across the country, including his adaptation of It's a Wonderful Life (Miracle in Bedford Falls) and original musicals such as The Homework Machine and The Stardust Supper Club. His production work has earned Dove and Angel Awards, and he holds membership in the National Academy of Recording Arts and Sciences.

Beyond composition, Cabaniss is deeply invested in music education and cultural preservation. He serves as an adjunct professor of Music Business at Belmont University, chairs the Board of Advisors for The Music Man Square in Mason City, Iowa, and serves on the Board of Trustees at Mars Hill University, his alma mater. He founded and permanently endowed The Helen Cole Krause Music Scholarship and has collaborated with television and entertainment figures including Andy Griffith, Shirley Jones, and Steve Allen.

Why we love this

Cabaniss and his collaborators have crafted something genuinely infectious here. The contemporary pop sensibility sits naturally within choral writing rather than feeling forced or dated, and the hook is strong enough that singers will stay engaged through multiple rehearsals without it becoming stale. This is the kind of anthem that works equally well as a season opener or closer because its message transcends the specific calendar moment.

What to expect

Radiant and propulsive. The piece captures that bright, forward-moving energy of a song designed for radio play, complete with a hook that sits easily in the voice while delivering emotional lift. It feels both polished and accessible, never condescending.

Who it's for

Directors seeking repertoire with genuine contemporary appeal and programmable across age groups and ability levels. This octavo works for high school and college choirs, community ensembles, and festival circuits where singers respond to material that feels relevant to their world.

How to get the most out of it

  • Lock the rhythmic precision of the pop groove from the first rehearsal. The energy comes from everyone landing together, not from overdrive on dynamics.
  • Balance the SAT sections carefully during the hook so no single line drowns out the singability. The top voices naturally project; check your midrange clarity.
  • If using the recorded accompaniment, rehearse with it early and often so the ensemble internalizes the groove before performance. The backing track locks in tight, and singers need that reference point.
  • Avoid oversinging the verse sections. Let the text carry the intimacy; reserve full vocal weight for the anthem moments that follow.

How to use it

Open the fall season with this to set an optimistic tone, or use it as the final selection at spring concert to send singers and audience home with a sense of possibility. The uplifting message also makes it a natural fit for graduation programming, where celebration and forward momentum are thematically appropriate.

Skills your students will build

  • Rhythmic precision and groove awareness in contemporary idioms
  • Balancing individual voice parts within a homogeneous pop texture
  • Sustaining musical energy through repetition and hook-based structure
  • Interpretation of contemporary harmonic language and melodic phrasing

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