New Light Shining: 3-Part Mixed Choral Octavo
Words and music by Mark Cabaniss, Pat Luboff, and Pete Luboff / arr. Alan Billingsley
Item: 00-PO-0001817
Minimum order quantity: 20 copies
Pickup currently not available
Related Items
New Light Shining: SoundTrax Digital Audio Download |
$27.99
|
View | |
New Light Shining: SATB Choral Octavo |
$1.85
|
View | |
New Light Shining: 2-Part Choral Octavo |
$1.85
|
View | |
New Light Shining: SATB Choral Octavo |
$1.85
|
View | |
New Light Shining: 3-Part Mixed Choral Octavo |
$1.85
|
View | |
New Light Shining: 2-Part Choral Octavo |
$1.85
|
View | |
New Light Shining: Choral Octavo SoundTrax CD |
$27.99
|
View |
Description
New Light Shining: 3-Part Mixed Choral Octavo isn't in MakeMusic Cloud just yet...but it could be. Let us know you'd like to see it, and you'll help shape what comes next. In the meantime, start a free trial and dive into thousands of interactive titles your students can play along with today.
Tell us you want it.
Explore everything that's ready to play right now.
Sample Audio
Sample Video
Additional Details
More about this title
About the Composer: Mark Cabaniss

Mark Cabaniss is a Nashville-based composer, producer, and publisher whose work spans musical theater, choral compositions, and instrumental pieces. An ASCAP-registered composer and multiple Dove Award winner, Cabaniss has seen his stage adaptations and original musicals performed across the country, from The Homework Machine to his acclaimed stage version of It's a Wonderful Life. His experience in music business, broadcasting, and collaborative work with major entertainment figures informs both his compositional voice and his teaching at Belmont University.
Beyond composing, Cabaniss has shaped the music education landscape through his service on the Board of Trustees at Mars Hill University and his establishment of The Helen Cole Krause Music Scholarship. A member of the Recording Academy (Grammy), he brings both artistic credibility and institutional knowledge to his work in music publishing and education.
Why we love this
Alan Billingsley's arrangement captures the infectious energy of contemporary pop while keeping the part-writing accessible for mixed high school or community choirs. The hook is genuinely catchy without sacrificing musicality, and the three-part texture allows you to build ensemble sound without the complexity of larger voicing. It's the kind of piece that energizes a rehearsal room and feels instantly rewarding to perform.
What to expect
Bright, energized, and modern. The piece carries the infectious momentum of a current pop hit while maintaining choral integrity, making singers feel like they're performing something genuinely current and relevant. There's an undeniable lift in the room when the ensemble locks into the groove.
Who it's for
High school and community choirs looking for uplifting contemporary repertoire with broad appeal. This piece works equally well for groups new to pop arrangements and ensembles seeking accessible concert material with current radio sensibility.
How to get the most out of it
- Lean into the rhythmic precision of the pop hook; lock the ensemble on articulation and rhythm rather than over-singing the melody line.
- Use the recorded accompaniment to nail the contemporary groove and establish the harmonic pocket before working on independence.
- Keep the vocal tone bright and forward without strain; this piece thrives on clarity and energy, not weight.
- Balance the three parts so the hook remains prominent while supporting voices add fullness and cohesion.
How to use it
Perfect as an opening number to launch a season or concert with immediate energy and audience connection. It also serves as a natural fit for graduation ceremonies or year-end celebrations where an uplifting, forward-looking sentiment resonates. Consider pairing it with contrasting ballad or classical repertoire to showcase your choir's range.
Skills your students will build
- Rhythmic precision in contemporary pop idioms
- Balancing independence and blend in three-part mixed voicing
- Interpreting contemporary arranging techniques and groove-oriented phrasing
- Building confidence with accessible, radio-friendly repertoire