Monster Mash Sheet Music Preview

Monster Mash: Piano/Vocal/Chords

Ten Years of Popular Sheet Music Bestsellers

Item: 00-PS-0010809

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Description
This songbook contains more than 50 of the biggest hits of the '60s. Each song is sure to spark a memory or create a new one for pianists or vocalists of all ages. For practice, performance, or pleasure, play and sing your way through your favorite decade in pop music history! Titles: All Along the Watchtower (Jimi Hendrix) * Aquarius/Let the Sunshine In (5th Dimension) * Ballad of Gilligan's Isle (from Gilligan's Island) * Batman Theme (from Batman) * Blowin' in the Wind (Bob Dylan) * Both Sides Now (Joni Mitchell) * A Change Is Gonna Come (Sam Cooke) * Don't Rain on My Parade (Barbra Streisand) * Dream a Little Dream of Me (The Mamas & The Papas) * Everyday People (Sly & the Family Stone) * For What It's Worth (Buffalo Springfield) * Gimme Some Lovin' (The Spencer Davis Group) * Gloria (Van Morrison) * Higher and Higher (Your Love Keeps Lifting Me) (Jackie Wilson) * Hit the Road Jack (Ray Charles) * Hot Fun in the Summertime (Sly & the Family Stone) * It's My Party (Leslie Gore) * The Jetsons (Main Theme) (from The Jetsons) * Leaving on a Jet Plane (Peter, Paul and Mary) * Like a Rolling Stone (Bob Dylan) * The Lion Sleeps Tonight (The Tokens) * Mack the Knife (Bobby Darin) * Mama Told Me Not to Come (Three Dog Night) * (Meet) The Flintstones (from The Flintstones) * Monster Mash (Bobby Pickett) * Mustang Sally (Wilson Pickett) * Na Na Hey Hey Kiss Him Goodbye (Steam) * The Night They Drove Old Dixie Down (The Band) * One (Three Dog Night) * People (Barbra Streisand) * People Get Ready (Impressions) * Piece of My Heart (Big Brother and the Holding Company) * Pink Panther (Henry Mancini) * Puff the Magic Dragon (Peter, Paul and Mary) * Raindrops Keep Fallin' on My Head (B.J. Thomas) * Save the Last Dance for Me (The Drifters) * She's a Rainbow (The Rolling Stones) * Soul Man (Sam and Dave) * Sound of Silence (Simon and Garfunkel) * Sunny Afternoon (The Kinks) * Sunshine of Your Love (Cream) * Sweet Soul Music (Arthur Conley) * Take Five (Dave Brubeck Quartet) * The Weight (The Band) * Theme from A Summer Place (Percy Faith and His Orchestra) * (What a) Wonderful World (Sam Cooke) * What a Wonderful World (Louis Armstrong) * What'd I Say (Ray Charles) * When a Man Loves a Woman (Percy Sledge) * White Room (Cream) * A Whiter Shade of Pale (Procol Harum) * Wipe Out (The Surfaris) * You Can't Always Get What You Want (The Rolling Stones) * You Don't Have to Say You Love Me (Dusty Springfield).

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Additional Details
Series: Decade by Decade
Publisher: Alfred Music
Page Count: 240
SKU: 00-PS-0010809

More about this title

About the Composer: Bobby Pickett

Bobby Pickett (1938-2007) was an American singer and songwriter best known for "Monster Mash," the novelty Halloween classic that became a cultural touchstone. Released in 1962, the song showcased Pickett's gift for combining humor, storytelling, and memorable melodies—qualities that made him a distinctive voice in the early 1960s pop landscape. Though "Monster Mash" defined his legacy, Pickett's work demonstrated how lighthearted pop songs could achieve lasting appeal across generations.

Why we love this

This collection captures the spirit of an era when pop music was melodically inventive, lyrically clever, and genuinely fun to perform. The selection spans protest songs, TV themes, novelty hits, and soulful ballads, giving pianists and singers a genuine cross-section of '60s culture rather than a sanitized greatest-hits package. For mixed-ability performers, the variety means something will resonate with every musician in the room.

What to expect

Opening this book is like stepping into a time capsule of pop culture—you'll find the infectious optimism of "Aquarius," the raw storytelling of Dylan adaptations, the smooth soul of Jackie Wilson, and the charming absurdity of "Monster Mash" all living together. The melodies are instantly singable, the chords are accessible without being oversimplified, and the sheer volume of familiar material makes every page feel like reconnecting with an old friend.

Who it's for

Pianists and vocalists who want a reliable source for '60s standards that audiences actually want to hear, whether for recitals, singalongs, or casual performance settings. Music teachers will find this especially useful for students building confidence in period-appropriate interpretation and chord-melody playing. Students of any age can pull from this collection for pleasure playing, audition prep, or exploring music history through living repertoire.

How to get the most out of it

  • Study the original recordings to hear how the vocal melodies sit against rhythm changes; many of these songs rely on the groove more than strict meter adherence.
  • Pay attention to chord substitutions in the voicings provided—they often hint at jazz or soul influences that shaped the era's production style.
  • Balance lyrical storytelling with musical accompaniment; songs like 'All Along the Watchtower' and 'A Change Is Gonna Come' deserve space for the words to land.
  • Treat TV theme songs and novelty tracks with the same care as the straight ballads; the arrangement choices on 'Monster Mash' or 'The Flintstones' are deliberate and worth exploring.

How to use it

Program a '60s-themed concert or casual performance night and let this collection be your roadmap; the range of styles means you can shape the evening's tone from upbeat to introspective. Studio teachers can build student recital programs around these titles, mixing era-appropriate pieces with contemporary work to show students how melody and harmony evolved. For community sing-alongs or fundraisers, this book provides both the anchors ("Monster Mash" for Halloween, "Leaving on a Jet Plane" for nostalgia) and deep cuts that engage engaged listeners.

Skills your students will build

  • Reading piano/vocal/chord notation and translating chord symbols into left-hand voicings
  • Interpreting rhythm changes and syncopation common to soul and pop styles of the 1960s
  • Balancing melody, harmony, and lyrical expression in a single performance
  • Recognizing the influence of blues, jazz, and rock on mainstream pop composition

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