Misery Business Sheet Music Preview

Misery Business: Authentic Guitar TAB

4 Artists * 16 Songs * Your Playlist: Nickelback, Chevelle, Theory of a Deadman, Paramore

Item: 00-PS-0012683

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Description
Get the real, full TAB for 16 of the biggest rock hits of the decade.

Titles: All or Nothing (Theory of a Dead Man) * Bad Girlfriend (Theory of a Dead Man) * The Clincher (Chevelle) * CrushCrushCrush (Paramore) * Far Away (Nickelback) * Gotta Be Somebody (Nickelback) * Hallelujah (Paramore) * Hate My Life (Theory of a Dead Man) * I Get It (Chevelle) * Misery Business (Paramore) * Photograph (Nickelback) * Rockstar (Nickelback) * Send the Pain Below (Chevelle) * So Happy (Theory of a Dead Man) * That's What You Get (Paramore) * Vitamin R (Chevelle).

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Additional Details
Series: MyTunes 4 x 4 Series
Publisher: Alfred Music
Page Count: 112
SKU: 00-PS-0012683

More about this title

About the Composer: Hayley Williams

Hayley Williams is the lead vocalist and primary songwriter for Paramore, the alternative rock band that emerged from Franklin, Tennessee in the mid-2000s. Her distinctive vocal delivery and collaborative songwriting approach shaped some of the most recognizable rock hooks of the 2000s and 2010s, earning her a reputation as a compelling voice in modern rock.

Why we love this

This collection captures the exact parts players actually want to learn from a transformative decade of rock radio. The mix of three powerhouse bands (Paramore, Nickelback, Chevelle, and Theory of a Dead Man) means guitarists get variety in tone and technique without leaving the era they love.

What to expect

Energetic, angular, and immediate. These songs don't require virtuosity; they require pocket, attitude, and precision in their rhythmic attack. The collection spans from radio-friendly groove to heavier alternative crunch, all grounded in the visceral, guitar-forward production of mid-2000s rock.

Who it's for

Guitar players who grew up with these bands and want authentic tabs to finally nail the songs they've been playing by ear. This works equally well for students building foundational rock vocabulary and for ensemble guitarists looking for reliable transcriptions of familiar material.

How to get the most out of it

  • Study the rhythm guitar layers first. Many of these tracks build texture through double-tracked parts, so understanding which guitar carries the main riff versus which adds color will clarify your role in a band context.
  • Lock into the kick drum timing on the heavier Chevelle and Nickelback tracks. Precision matters more than speed on these songs.
  • Use the vocal melody as your anchor on Paramore's tracks. The guitar lines complement rather than compete with Hayley's phrasing, so listening to where she breathes helps your pacing.
  • Pay attention to palm-muting notation. These bands relied on dampened, percussive attack as much as open, ringing tones to define their sound.

How to use it

Use this as a go-to resource when students request contemporary rock covers for ensemble or solo recitals. The variety allows you to program a mixed-genre concert set that still sounds cohesive, or pull individual tracks for students learning genre-specific techniques in rock contexts.

Skills your students will build

  • Reading and executing accurate rhythm guitar notation including palm-muted and open strums
  • Interpreting tablature for standard and alternate tunings
  • Identifying and playing lead versus supporting guitar roles within a single song
  • Matching articulation and dynamics to recorded references for stylistic accuracy
  • Building familiarity with power chords, bar chords, and hybrid picking patterns in rock idioms

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