May You Always Have a Song: SATB Choral Octavo
Music by Sally K. Albrecht and Jay Althouse
Item: 00-PO-0004268
Minimum order quantity: 20 copies
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About the Composer: Sally K. Albrecht

Sally K. Albrecht has shaped American choral music for decades as a composer, conductor, and clinician with a distinctive focus on integrating movement into choral performance. Since 1987, she has received annual ASCAP Special Music Awards and maintains over 600 published choral works in print, along with 75 larger songbooks and musicals. Her conducting experience spans prestigious venues including Lincoln Center, Carnegie Hall, and The Kennedy Center, where she has led honor choirs and festival events across the country.
For more than thirty years, Albrecht directed school choral, vocal, and elementary publications at major educational music publishers, including Alfred Music. She holds degrees from Rollins College (B.A. in Music and Theater, 1976), the University of Miami (M.A. in Drama, 1977), and the University of Miami Frost School of Music (M.M. in Accompanying, 1979). Her career has been recognized with the Distinguished Alumna Award from both the University of Miami Frost School of Music and Rollins College, where she serves on the Board of Trustees. She has also chaired the Board of Trustees for the Omicron Delta Kappa National Leadership Honor Society and received their "Pillar of Leadership" award.
Why we love this
Albrecht and Althouse craft a text with profound simplicity that resonates across skill levels, making it accessible to developing singers while maintaining genuine emotional weight. The straightforward vocal writing and unpretentious piano part mean rehearsal time focuses on expression and unity rather than technical hurdles. By programming it multiple times across the year, you'll watch this piece deepen meaningfully for your singers, especially seniors hearing it in spring with fresh ears and lived experience.
What to expect
The ballad unfolds with genuine warmth and quiet affirmation. You'll feel the sincerity of its wish for a life filled with song and friendship, rendered in melodies that linger in singers' and listeners' hearts long after the final note.
Who it's for
This piece suits any SATB choir regardless of experience level, from high school beginners to community and collegiate groups. The accessible writing makes it ideal for directors seeking something meaningful without technical complexity, particularly when building confidence in younger or developing choirs.
How to get the most out of it
- Keep the tempo steady but unhurried; this ballad breathes naturally without rushing. Allow silence and space to carry weight.
- Balance the four parts so the text remains clear throughout. The simplicity of the melody invites beautiful blend rather than prominent soloists.
- Work the piano accompaniment in early rehearsals so singers hear the harmonic foundation. Even a modest accompanist will anchor the voices.
- Shape phrases toward their cadences rather than singing in straight lines. Small dynamic swells will enliven the straightforward melody.
How to use it
Program this throughout the year as a concert closer, allowing your singers to claim it more fully with each performance. By spring, it becomes a natural and deeply resonant farewell piece for graduating students, carrying months of emotional investment into a final, poignant moment.
Skills your students will build
- Singing with sustained legit tone through simple, conjunct melodic lines
- Balancing four-part SATB harmony with textual clarity
- Phrasing and shaping straightforward melodies with intentional expression
- Building emotional connection to music through repeated performance and ownership