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Mary, Mary: Choral Octavo SoundTrax CD

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Mary, Mary Cover Image

Mary, Mary: Choral Octavo SoundTrax CD

Music and lyrics by Mary Donnelly and George L. O. Strid

Item: 00-SVM00050CD

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Description
Your choir will love to sing this gospel-rock winner! The multiple voicings of this upbeat original make this fantastic title available to all choirs. This is another great piece from Mary Donnelly and George Strid! Compatible with the SATB and SSA voicings only.

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Additional Details
Publisher: Alfred Music
UPC: 654979186083
SKU: 00-SVM00050CD

More about this title

About the Composer: Mary Donnelly

Mary Donnelly

Mary Donnelly grew up in Reno, Nevada, and completed her undergraduate degree at the University of Nevada with majors in English and French. During her college years, she discovered her passion for music education by organizing children's choruses, which inspired her to pursue formal training. She earned a Master's Degree in Education from Lesley College in Cambridge, Massachusetts, where she focused on arts integration across the curriculum.

Donnelly spent thirty years teaching general music and choir in the Washoe County School District, retiring after a career devoted to making music accessible to young singers. In 1985, she partnered with arranger George Strid when their principal requested they write a musical for Reading Week. That initial collaboration launched a prolific partnership that has produced over two hundred songs and twenty-five musicals. She remains active in ACDA, NEA, and ASCAP.

Why we love this

Donnelly and Strid have crafted something genuinely singable across ability levels without sacrificing energy or character. The multiple voicing options mean you can cast this across your mixed section, your unchanged voices, or both, making it an unusually flexible choice for choirs with mixed age ranges or experience levels. Gospel-rock sits naturally in young singers' voices, and this arrangement gives them real harmonic content to engage with.

What to expect

Upbeat and celebratory, with the rhythmic drive of gospel-rock that invites movement and joy. The familiar title gets a contemporary treatment that feels fresh without losing its grounded, spiritual core.

Who it's for

This works for middle school choirs with mixed voices, high school programs with a range of experience, and adult choirs seeking accessible yet engaging sacred repertoire. The dual voicing flexibility makes it especially valuable if you direct multiple ensembles or work with singers at different developmental stages.

How to get the most out of it

  • Let the recorded accompaniment drive the groove from the first rehearsal. Gospel-rock loses its lift if the rhythm section feels tentative, so anchor your singers in that pocket early.
  • Emphasize the contrast between the ensemble moments and any solo or small-group passages. These arrangements thrive on call-and-response energy, so find places to let voices step forward.
  • Lock the SATB and SSA sections into the same harmonic foundation before layering dynamics. Once they're unified on pitch and rhythm, the interplay between voicings becomes the expressive tool.

How to use it

This pairs well on a holiday concert or sacred music program where you want energy without sacrificing reverence. It's also strong as a spring concert opener when you need something that lifts the room immediately and demonstrates your singers' range across musical styles.

Skills your students will build

  • Gospel-rock rhythmic feel and interpretation
  • Navigating different voicing layouts (SATB and SSA)
  • Ensemble blend across multiple melodic lines
  • Responding to recorded accompaniment with rhythmic precision
  • Stylistic singing in contemporary sacred idiom

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