Lux Prima (Come, My Soul, Thou Must Be Awakening): Concert Band Conductor Score & Parts
Lux Prima (Come, My Soul, Thou Must Be Awakening): Concert Band Conductor Score & Parts
Lux Prima (Come, My Soul, Thou Must Be Awakening): Concert Band Conductor Score & Parts
Lux Prima (Come, My Soul, Thou Must Be Awakening): Concert Band Conductor Score & Parts
Lux Prima (Come, My Soul, Thou Must Be Awakening): Concert Band Conductor Score & Parts
Lux Prima (Come, My Soul, Thou Must Be Awakening): Concert Band Conductor Score & Parts
Lux Prima (Come, My Soul, Thou Must Be Awakening): Concert Band Conductor Score & Parts
Lux Prima (Come, My Soul, Thou Must Be Awakening): Concert Band Conductor Score & Parts
Lux Prima (Come, My Soul, Thou Must Be Awakening): Concert Band Conductor Score & Parts
Lux Prima (Come, My Soul, Thou Must Be Awakening): Concert Band Conductor Score & Parts
Lux Prima (Come, My Soul, Thou Must Be Awakening): Concert Band Conductor Score & Parts
Lux Prima (Come, My Soul, Thou Must Be Awakening): Concert Band Conductor Score & Parts
Lux Prima (Come, My Soul, Thou Must Be Awakening) Sheet Music Preview

Lux Prima (Come, My Soul, Thou Must Be Awakening): Concert Band Conductor Score & Parts

By Franz Joseph Haydn / arr. Ralph Ford

Grade: 1 (Very Easy)

Item: 00-PK-0001469
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Lux Prima (Come, My Soul, Thou Must Be Awakening): Score $10.00
Lux Prima (Come, My Soul, Thou Must Be Awakening): Flute $3.00
Lux Prima (Come, My Soul, Thou Must Be Awakening): Oboe $3.00
Lux Prima (Come, My Soul, Thou Must Be Awakening): 1st B-flat Clarinet $3.00
Lux Prima (Come, My Soul, Thou Must Be Awakening): B-flat Bass Clarinet $3.00
Lux Prima (Come, My Soul, Thou Must Be Awakening): E-flat Alto Saxophone $3.00
Lux Prima (Come, My Soul, Thou Must Be Awakening): B-flat Tenor Saxophone $3.00
Lux Prima (Come, My Soul, Thou Must Be Awakening): E-flat Baritone Saxophone $3.00
Lux Prima (Come, My Soul, Thou Must Be Awakening): 1st B-flat Trumpet $3.00
Lux Prima (Come, My Soul, Thou Must Be Awakening): 1st F Horn $3.00
Lux Prima (Come, My Soul, Thou Must Be Awakening): 1st Trombone $3.00
Lux Prima (Come, My Soul, Thou Must Be Awakening): Baritone T.C. $3.00
Lux Prima (Come, My Soul, Thou Must Be Awakening): Tuba $3.00
Lux Prima (Come, My Soul, Thou Must Be Awakening): Mallets $3.00
Lux Prima (Come, My Soul, Thou Must Be Awakening): 1st Percussion $3.00
Lux Prima (Come, My Soul, Thou Must Be Awakening): 2nd Percussion $3.00
Lux Prima (Come, My Soul, Thou Must Be Awakening): Timpani $3.00
Lux Prima (Come, My Soul, Thou Must Be Awakening): (wp) 1st Horn in E-flat $3.00
Lux Prima (Come, My Soul, Thou Must Be Awakening): (wp) 1st B-flat Trombone T.C. $3.00
Lux Prima (Come, My Soul, Thou Must Be Awakening): (wp) B-flat Tuba B.C. $3.00
Lux Prima (Come, My Soul, Thou Must Be Awakening): (wp) B-flat Tuba T.C. $3.00
Lux Prima (Come, My Soul, Thou Must Be Awakening): (wp) E-flat Tuba B.C. $3.00
Lux Prima (Come, My Soul, Thou Must Be Awakening): (wp) E-flat Tuba T.C. $3.00

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Description
Franz Joseph Haydn's lovely musical setting of "Come, My Soul, Thou Must Be Awakening" has been scored for beginners in 3/4 time. The flowing melody is tuneful and will add to the musicality of your ensemble. First stated by the upper woodwinds, the full band builds to an emotional conclusion. Breathtaking! (2:19)

Don't just read it, hear it, play along with it, and watch your students grow with it. In MakeMusic Cloud, Lux Prima (Come, My Soul, Thou Must Be Awakening): Concert Band Conductor Score & Parts comes alive with professional accompaniment, adjustable tempo, and built-in practice tools that turn solo practice into real progress.

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Additional Details
Series: Belwin Beginning Band
Publisher: Alfred Music
Page Count: 132
SKU: 00-PK-0001469

More about this title

About the Composer: Franz Joseph Haydn

Haydn spent nearly three decades as Kapellmeister for the Esterházy court, a position that demanded constant innovation across every musical genre. His prolific output, over 100 symphonies, 68 string quartets, and extensive sacred music, established many of the forms that defined the Classical era. He brought wit, structural clarity, and emotional depth to everything he wrote, influencing both Mozart and Beethoven.

As a teacher and mentor, Haydn valued accessibility without sacrificing musical substance. His sacred works, including motets and masses, blend textural sophistication with singable lines that respect the human voice and ensemble capability. This quality makes his music ideal for music education; students encounter genuine artistry at every level.

Why we love this

This arrangement brings one of Haydn's genuine sacred melodies into reach for young bands without sacrificing the composer's elegant voice. The scoring respects the original's character while building naturally from solo woodwind statement to full ensemble, giving students a rewarding arc and early exposure to how orchestration itself tells a musical story. It's exactly the kind of repertoire that shows beginners why Classical music endures.

What to expect

Reverent and flowing, with the character of a gentle prayer that gradually opens outward. The melody unfolds naturally, almost like a hymn set to instrumental voices, with moments of quiet contemplation balanced by a graceful, heartfelt swell.

Who it's for

Beginning band students and directors seeking substantive repertoire with real musical content. This work suits young ensembles working toward their first concert or festival appearance and needing pieces that sound mature without overwhelming developing musicians.

How to get the most out of it

  • Shape the opening woodwind melody as a singing line; even at Grade 1, Haydn's phrasing expects breath and direction rather than mechanical note-reading.
  • Balance the full band section carefully so the climax feels earned rather than forced. Students should hear the journey from restraint to emotional release.
  • Maintain the 3/4 lilt throughout. Avoid letting the meter drag, especially in slower sections, which will keep the prayer-like quality alive.
  • Ensure clarinets and saxophones blend smoothly when they double the melody, as their warmth carries the piece's spiritual character.

How to use it

Program this as an opener or closing piece for a concert with sacred or thematic programming, where its earnest beauty can frame other works. It also works well as a festival selection that demonstrates musicianship over technical prowess, letting judges hear clean ensemble work and phrase shaping.

Skills your students will build

  • Shaping melody with phrasing and dynamic shape in a simple time signature
  • Listening to principal voices and supporting them as ensemble members
  • Maintaining steady pulse in 3/4 time while playing sustained passages
  • Blending multiple wind voices on the same melodic line

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