Lux Prima (Come, My Soul, Thou Must Be Awakening) Cover Image

Lux Prima (Come, My Soul, Thou Must Be Awakening): Concert Band Conductor Score

$10.00 USD
Sale price  $10.00 USD Regular price 
Skip to product information
Lux Prima (Come, My Soul, Thou Must Be Awakening) Cover Image

Lux Prima (Come, My Soul, Thou Must Be Awakening): Concert Band Conductor Score

By Franz Joseph Haydn / arr. Ralph Ford

Grade: 1 (Very Easy)

Item: 00-29558S

$10.00
Shipped

One moment…

Description
Franz Joseph Haydn's lovely musical setting of "Come, My Soul, Thou Must Be Awakening" has been scored for beginners in 3/4 time. The flowing melody is tuneful and will add to the musicality of your ensemble. First stated by the upper woodwinds, the full band builds to an emotional conclusion. Breathtaking! (2:19)

Lux Prima (Come, My Soul, Thou Must Be Awakening): Concert Band Conductor Score isn't in MakeMusic Cloud just yet...but it could be. Let us know you'd like to see it, and you'll help shape what comes next. In the meantime, start a free trial and dive into thousands of interactive titles your students can play along with today.

Sample Pages

Sample Audio
0:00
0:00
Sample Video
Additional Details
Series: Belwin Beginning Band
Publisher: Alfred Music
Page Count: 12
UPC: 038081331164
SKU: 00-29558S

More about this title

About the Composer: Franz Joseph Haydn

Franz Joseph Haydn (1732-1809) shaped the Classical symphony and string quartet into forms that composers still follow today. His prolific output spans nearly every genre of his era, from operas and masses to instrumental works that balance intellectual rigor with genuine warmth. Haydn's melodies have an unforgettable quality—they seem simple on first hearing but reveal layers of craft the more you know them.

For young musicians, Haydn's music offers an ideal entry point into the Classical era. His compositional voice never talks down to players or listeners. Even in his most accessible works, the harmonic language is sophisticated, and the orchestration shows how much color you can draw from transparent textures. This arrangement of "Lux Prima" carries that same generous spirit into the beginner band.

Why we love this

Ralph Ford's scoring respects both Haydn's elegant melodic arc and what Grade 1 musicians can actually accomplish. The upper woodwind entrance lets your best readers shine early, and the gradual orchestration build creates genuine momentum without overwhelming younger players. Sacred repertoire at this level often feels thin or overly simplified; this arrangement has substance and moves through to a real musical moment.

What to expect

There's a quiet steadiness to this piece that draws listeners in. The flowing 3/4 meter and warm harmonic language create a contemplative opening that gradually opens into something fuller and more affirming, without ever losing its graceful quality. It feels like music designed to encourage rather than impress.

Who it's for

Beginning concert bands working at Grade 1 level, especially those building confidence with longer forms and ensemble balance. Directors who want to introduce students to masterworks without watering down the musical experience will find this a natural fit for early-season programming.

How to get the most out of it

  • Shape the opening woodwind melody with a natural arc from pickup to downbeat; resist the urge to start too loudly. Let the tune breathe and establish itself before the ensemble joins.
  • Balance the texture as more instruments enter. The melody should remain audible even when the full band plays; this is about adding support, not drowning out the line.
  • Maintain steady, unhurried tempo throughout. 3/4 at a comfortable walking pace gives the piece its devotional character and lets each section feel the phrasing.

How to use it

Program this as part of a fall or winter concert when you want variety in mood and style. Its sacred text and emotional arc make it valuable for holiday programs or spiritual music festivals, yet it works equally well in a general concert alongside folk song arrangements and other masterwork transcriptions. At 2:19, it provides substantial musical content without fatiguing a young ensemble.

Skills your students will build

  • Sustaining tone and phrasing across longer melodic lines in 3/4 meter
  • Balancing individual lines within growing ensemble textures
  • Reading and playing Classical-era harmonic language and voice leading
  • Following conductor cues as multiple sections enter successively

You May Also Like