Love Is Here to Stay: SAB Choral Octavo

Mark Hayes's arrangement captures everything that makes this standard so durable: the melodic generosity of Gershwin's writing, the harmonic warmth that sustains the lyric, and a dynamic arc that lets singers feel the emotional weight without oversinging. The SAB voicing opens this gem to choirs that might otherwise sidestep it, and Hayes's piano part does the real storytelling work.

A tender, unhurried expression of devotion that moves from soft introspection into a gently swinging affirmation. The piano accompaniment wraps around the voices like an embrace, creating intimacy even in ensemble moments.

Intermediate to advanced SAB choirs seeking accessible repertoire with real musical substance. This arrangement works well for choirs that have solid blend and can handle gentle jazz inflections without losing musical integrity.

• Shape the opening lyrically; the piano's lush sonorities should draw the voices into a warm, conversational tone rather than a formal one.
• Balance the three parts carefully in the middle section so the inner voices don't disappear into the accompaniment.
• Ease into the swing ending rather than suddenly shifting gears; let the rhythmic lift grow naturally from the preceding phrase.
• Keep diction clear and intimate throughout, even as dynamics rise; this song lives in the details of the text.

Pair this with other standards or American songbook selections for a concert exploring classic popular song arranged for choir. It also serves as an excellent closer for a mixed program, sending the audience out with warmth and optimism.

• Singing in a jazz-influenced style with appropriate rhythmic flexibility and swing feel
• Blending three-part voicing while maintaining independence of lines
• Coordinating with an active piano accompaniment that carries substantial musical weight
• Shaping a long melodic line with sustained legit singing and emotional nuance