Looking for the Light Cover Image

Looking for the Light: Choral Octavo SoundTrax CD

$27.99 USD
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Looking for the Light Cover Image

Looking for the Light: Choral Octavo SoundTrax CD

(A Song of Winter)

Words by Jerry Colker, music and additional words by Adam Podd and Matt Podd

Item: 00-47679

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Description
The shimmering winter-themed text and lilting 6/8 rhythms dance right off the page in this contemporary choral like none other. Accessible yet unexpected harmonies provide warmth, and a full dynamic range takes us on a journey from a single voice to full ensemble singing. The breathtaking add-on section weaves three independent lines into one radiant tapestry of sound and suggests that the light we search for may be found within.

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Additional Details
Series: Alfred Choral Designs
Publisher: Alfred Music
UPC: 038081543727
SKU: 00-47679

More about this title

About the Composer: Adam Podd

Adam Podd

Adam Podd brings a distinctive voice to contemporary choral writing through his dual career as a conductor, composer, and arranger based in Brooklyn. His work spans collaborations with major orchestras including the National Symphony and Boston Pops, as well as performances at Carnegie Hall and the Kennedy Center, giving him deep insight into how voices and instruments interact across genres and styles.

As Music Director at First Unitarian Church in Brooklyn, Podd develops arrangements that blur the line between sacred and secular traditions, crafting music that resonates with progressive congregations seeking fresh approaches to choral repertoire. He frequently collaborates with his twin brother Matt on compositional projects, including their work together in the band Mimi & the Podd Brothers.

Why we love this

The piece unfolds with genuine surprise. What begins as an intimate single-voice moment builds gradually into full ensemble brightness, letting singers experience real dynamic storytelling rather than artificial contrasts. The add-on section's three independent lines reward careful rehearsal with a texture that feels modern yet singable, and the winter imagery paired with that lilting 6/8 feel creates a piece that lands differently than typical seasonal fare.

What to expect

Light emerges gradually, like dawn breaking across snow. The 6/8 rhythm carries an almost dancing quality that prevents any heaviness, while the shimmering text imagery pairs with unexpected harmonic turns to create something familiar yet distinctly modern. By the add-on section, three voices weave together into something radiant and warm.

Who it's for

Choirs seeking contemporary repertoire that honors accessibility without sacrificing sophistication will find this piece rewards careful preparation. The range of textures makes it suitable for intermediate to advanced community, church, and school choirs looking for winter concert material with genuine emotional arc.

How to get the most out of it

  • Shape the opening solo entrance with space and breath, allowing the gradual buildup to feel inevitable rather than rushed. This context makes the full ensemble entrance land with genuine impact.
  • In the add-on section with three independent lines, isolate each voice part in sectional rehearsals before layering them together. The independence will be clearer when singers hear their own line secure first.
  • Use the recorded accompaniment strategically during early rehearsals to establish the 6/8 lilt and harmonic color, then transition to a cappella work to strengthen ensemble blend and intonation.

How to use it

This piece works beautifully as the emotional centerpiece of a winter concert, especially when programmed after purely secular selections or festive works. Its progression from solitude to collective warmth creates a natural bridge between different concert moods, and the contemporary harmonic language helps programs feel current without sacrificing emotional sincerity.

Skills your students will build

  • Sustaining independent melodic lines while hearing other parts (add-on section)
  • Navigating accessible yet unexpected harmonic progressions
  • Building dynamic contrast and ensemble balance across a wide range (single voice to full ensemble)
  • Interpreting text imagery in contemporary choral writing
  • Reading and performing in compound meter (6/8)

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