Looking for the Light Cover Image

Looking for the Light: SATB Choral Octavo

$2.20 USD
$2.20 USD
Skip to product information
Looking for the Light Cover Image
Looking for the Light: SATB Choral Octavo

Looking for the Light: SATB Choral Octavo

(A Song of Winter)

Words by Jerry Colker, music and additional words by Adam Podd and Matt Podd

Item: 00-47676
makemusic Cloud badge

Need it now?

Buy Digital Version
$2.20
Shipped

One moment…

Related Items

Looking for the Light: SATB Choral Octavo

$2.20
View

Looking for the Light: SAB Choral Octavo

$2.20
View

Looking for the Light: 2-Part Choral Octavo

$2.20
View
Description
The shimmering winter-themed text and lilting 6/8 rhythms dance right off the page in this contemporary choral like none other. Accessible yet unexpected harmonies provide warmth, and a full dynamic range takes us on a journey from a single voice to full ensemble singing. The breathtaking add-on section weaves three independent lines into one radiant tapestry of sound and suggests that the light we search for may be found within.

Don't just read it, hear it, play along with it, and watch your students grow with it. In MakeMusic Cloud, Looking for the Light: SATB Choral Octavo comes alive with professional accompaniment, adjustable tempo, and built-in practice tools that turn solo practice into real progress.

Open in the Player

Jump straight in and assign it today.

Start Your Free Trial

Open this title and explore the full library in minutes.
Sample Pages

Sample Audio
0:00
0:00
Sample Video
Additional Details
Series: Alfred Choral Designs
Publisher: Alfred Music
Page Count: 16
UPC: 038081543697
SKU: 00-47676

More about this title

About the Composer: Adam Podd

Adam Podd

Adam Podd is a Brooklyn-based conductor, composer, and arranger who has collaborated with major orchestras including the National Symphony Orchestra, Boston Pops, and New York Pops, as well as celebrated soloists like Idina Menzel and Darlene Love. His work spans performance venues from Carnegie Hall to the Kennedy Center, and he currently serves as Music Director at First Unitarian Church in Brooklyn, where he develops distinctive arrangements that bridge sacred and secular traditions for the congregation's progressive worship.

Adam frequently partners with his twin brother Matt on musical projects, including their band Mimi & the Podd Brothers. His approach to choral music emphasizes finding fresh interpretive angles by drawing connections across genre boundaries, resulting in arrangements that feel both rooted in tradition and thoroughly contemporary.

Why we love this

The add-on section stands out as genuinely inventive choral writing: rather than stacking voices predictably, Podd weaves three independent melodic lines that create harmonic interest through motion rather than block voicing. Directors will appreciate that the piece delivers sophistication without technical demand, making it accessible for high school and community choirs while remaining rewarding to conduct.

What to expect

The piece opens like frost catching winter light, delicate and hushed. As voices enter and build, warmth accumulates; the 6/8 meter gives it a gentle forward motion that feels almost dance-like despite the contemplative text. By the add-on section, three independent lines weave together into something transcendent, suggesting harmony emerging from individual voices finding their place.

Who it's for

This piece suits choirs seeking contemporary repertoire that sounds sophisticated without requiring advanced sight-reading skills. High school, college, and community choirs will find an accessible entry point into modern choral writing that still delivers genuine musical substance and a meaningful message about finding inner light.

How to get the most out of it

  • Lean into the 6/8 lilt; let the rhythm breathe naturally rather than mechanically subdividing. The lilting quality emerges when singers feel the pulse as one beat per measure, not six.
  • Shape the dynamic arc deliberately from the solo voice opening through the full ensemble swell. This journey is the emotional spine of the piece.
  • In the add-on section, isolate each of the three independent lines in sectional rehearsal so singers understand their specific melodic role before blending them together.
  • Balance the 'shimmering' quality by keeping upper voices light and supported, not strained. Warmth comes from resonance, not volume.

How to use it

Program this as a centerpiece for a winter concert, or pair it with other contemporary pieces exploring themes of hope and resilience. The 16-page score with recorded accompaniment available makes it practical for both festival and concert contexts.

Skills your students will build

  • Reading and maintaining independent lines in contemporary harmonic contexts
  • Sustaining the pulse in 6/8 meter without over-subdividing
  • Balancing full dynamic range from unison to full ensemble texture
  • Creating clarity in three-part counterpoint during the add-on section
  • Shaping contemporary choral phrasing with attention to resonance over volume

You May Also Like