Long Train Runnin' Sheet Music Preview

Long Train Runnin': SSA Choral Octavo

Words and music by Tom Johnston [The Doobie Brothers] / arr. Kirby Shaw

Item: 00-PO-0001695

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Description
Who can forget this infectious Doobie Brothers classic, which hit the Billboard Top Ten in 1973? From the familiar opening guitar lick to the final chord, this arrangement really cooks!

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Additional Details
Series: Alfred Pop Choral Series
Publisher: Alfred Music
Page Count: 16
SKU: 00-PO-0001695

More about this title

About the Composer: Tom Johnston

Tom Johnston is the co-founder and primary songwriter of The Doobie Brothers, the rock band that defined the California sound of the 1970s. His compositions, including "Long Train Runnin'," combine infectious groove with accessible melodies that have endured across generations of listeners.

Johnston's gift for writing memorable hooks and singable lines makes his catalog particularly well-suited for choral adaptation. His work demonstrates how rock songwriting principles can translate effectively into ensemble voicing without losing the character that made the original recording iconic.

Why we love this

Kirby Shaw's arrangement captures the irresistible momentum of the original without asking your choir to recreate a guitar-driven rock recording. The SSA voicing opens this classic to a broader range of singers while preserving the groove and energy that made this song a hit. Your audience will recognize it instantly, and your singers will have genuine fun bringing it to life.

What to expect

Bright, propulsive, and deeply grounded in the groove that defined early 1970s rock. The arrangement honors the original's infectious energy while creating space for ensemble singing, with the kind of melodic hooks that stick with singers long after rehearsal ends.

Who it's for

High school and community choirs seeking contemporary repertoire that genuinely excites singers and audiences alike. Directors building pop or rock-influenced concert programs will find this both accessible and musically substantial, with enough parts available to keep instrumental ensembles engaged alongside voices.

How to get the most out of it

  • Lock the rhythmic pocket with your rhythm section or recorded accompaniment. This arrangement trades on groove, so precision in the backbeat matters more than perfection in blend.
  • Shape the familiar opening section as a call-and-response between sections if your voicing allows. The original track thrives on this kind of musical conversation.
  • Balance lyrical clarity against the rock idiom. Sing through the phrases without over-articulating consonants, which muddies the funk feel.
  • Lean into the dynamic arc across all 16 pages. The arrangement likely builds toward a satisfying climax, so resist the urge to give away your energy in early verses.

How to use it

This works beautifully as the opener or closer of a pop or rock-focused concert, where it can anchor your programming and set an upbeat tone. Pair it with other classic rock standards from the same era, or use it to bridge between pop and traditional repertoire on a mixed concert, since audiences connect with the source material immediately.

Skills your students will build

  • Singing in a rock/pop idiom with rhythmic precision and groove awareness
  • Maintaining SSA blend while balancing melodic clarity in a contemporary arrangement
  • Responding to recorded accompaniment with rhythmic control
  • Interpreting dynamic and stylistic cues from a non-classical genre

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