Like an Eagle: Choral Octavo SoundTrax CD

Strommen crafts a piece that builds with genuine dramatic arc, not artifice. Directors choose this because the intensity payoff feels earned by the end, and singers find genuine musical satisfaction in the structure. The recorded accompaniment lets you rehearse confidently while the part-writing remains engaging enough to hold student interest across multiple runs.

The piece begins with restraint and grows steadily in power, much like an eagle catching an updraft and rising higher. There is emotional lift here, honest and unforced, that resonates with audiences at graduation and spring concert settings.

Choirs with solid blend and musicianship ready to tackle a building emotional arc. This works well for groups comfortable with moderate ranges and willing to invest in clarity during the development sections.

• Mark the dynamic and tempo shifts in rehearsal before attempting a full run. Strommen's build relies on precision timing, not just volume increases.
• Use the SoundTrax accompaniment strategically: lock in rhythms during early rehearsals, then gradually sing without it to develop independence.
• Balance the harmonic progression carefully as intensity increases. Voices can blur if blend collapses under the growing energy.
• Shape the final climax as a unified gesture. The power comes from ensemble control, not individual pushing.

Program this as a centerpiece of a spring or graduation concert, where the building energy and inspirational quality align with the occasion. It also pairs well in a set of contemporary choral standards, anchoring the program with something substantial that shows off ensemble growth over the school year.

• Managing dynamic growth and control across extended phrases
• Blend and balance as harmonic density increases
• Following precise tempo and marking changes
• Sustaining ensemble focus through multi-section builds