Like an Eagle: 2-Part Choral Octavo

Strommen crafts choral writing that feels singable yet architecturally sophisticated. "Like an Eagle" builds with real dramatic purpose; the harmonic and textural progression earned its place as a choral standard because it genuinely moves singers and audiences, not through manipulation but through smart voice writing and musical logic.

A ballad that unfolds with growing confidence and soaring energy. The piece captures aspiration and forward motion, offering singers an experience of building from introspection toward strength and affirmation.

This octavo works for treble choirs, mixed ensembles singing in 2-part voicing, and developing singers who benefit from straightforward part writing with emotional substance. It suits spring and graduation contexts but also stands on its own as concert repertoire at the middle school through high school level.

• Shape the dynamic trajectory from entrance to final measures. The piece's power comes from restraint early and calculated intensity later, so resist the urge to sing forte throughout.
• Balance the two parts so upper and lower voices maintain independence. Strommen's writing relies on part definition to create the building effect.
• Use the recorded accompaniment to lock in your tempo and harmonic foundation during early rehearsals; remove it once your singers internalize their parts.

Program this for spring concerts, graduation ceremonies, or end-of-year events where you want a moment of uplift and reflection. It pairs well after lighter fare and can anchor a set with its emotional weight and singability.

• Dynamic control and phrasing across a longer harmonic arc
• Part independence in 2-part voicing
• Building intensity through sustained vowel control and breath management
• Interpreting and executing a text-driven emotional narrative