Lift Your Voice and Rejoice! Cover Image

Lift Your Voice and Rejoice!: 3-Part Mixed Choral Octavo

$2.05 USD
Sale price  $2.05 USD Regular price 
Skip to product information
Lift Your Voice and Rejoice! Cover Image

Lift Your Voice and Rejoice!: 3-Part Mixed Choral Octavo

Words and music by Victor C. Johnson

Item: 00-48906

makemusic Cloud badge

Need it now?

Buy Digital Version
$2.05
Shipped

One moment…

Description
Let's gather together, let's celebrate, let's sing! The action-packed main theme of this glorious original work organizes rhythmic accents into 332 subdivisions and seamlessly pivots from key to key, before opening up to full choral harmony. A reverent "Gaudeamus Hodie" passage assembles lyrical lines section by section in smooth choral counterpoint, leading to a triumphant fanfare that bookends this jubilant song of exaltation. Ideal for school and/or church. This title is available in MakeMusic Cloud.

Don't just read it, hear it, play along with it, and watch your students grow with it. In MakeMusic Cloud, Lift Your Voice and Rejoice!: 3-Part Mixed Choral Octavo comes alive with professional accompaniment, adjustable tempo, and built-in practice tools that turn solo practice into real progress.

Sample Pages

Sample Audio
0:00
0:00
Sample Video
Additional Details
Series: Alfred Choral Designs
Publisher: Alfred Music
Page Count: 12
UPC: 038081562308
SKU: 00-48906

More about this title

About the Composer: Victor C. Johnson

Victor C. Johnson

Victor C. Johnson, based in Dallas, Texas, serves as School Choral Editor for Sing!, the educational publishing arm of Choristers Guild. With more than 500 choral works, vocal solos, and keyboard pieces in print, he has established himself as a prolific voice in sacred and secular choral music.

From 2000 to 2018, Johnson directed choral ensembles at Ft. Worth Academy of Fine Arts, where he led the Academy Singers and Academy Men's Choir while also serving as Artistic Director of the Singing Girls of Texas and Children's Choir of Texas. In 2022, he was appointed conductor of the Dallas Symphony Children's Chorus Mixed Ensemble, the resident choir for the Dallas Symphony Orchestra. His professional memberships include the American Choral Directors Association, Texas Music Educators Association, National Association for Music Education, and ASCAP.

Why we love this

Johnson's gift for creating momentum through rhythmic precision shines here. The architectural clarity of this piece (organized accents, modulations that feel purposeful rather than arbitrary, and a structure that builds logically toward the fanfare climax) gives your singers concrete musical landmarks to aim for, which means rehearsals stay energized and performances land with impact.

What to expect

This is music built for gathering. The opening surges with kinetic excitement, propelled by rhythmic precision that feels almost dance-like. When the texture opens into the "Gaudeamus Hodie" passage, the energy softens into radiant harmonic beauty before the fanfare erupts again, leaving singers and listeners breathless.

Who it's for

School choirs and church choirs with singers at the intermediate level and above will find this piece accessible yet rewarding. The 3-part mixed voicing sits well across mixed-age ensembles, and the work's energy and celebratory tone appeal equally to concert and liturgical settings.

How to get the most out of it

  • Mark the rhythmic accents in pencil during the opening theme so singers understand which notes carry the pulse. This transforms what could feel scattered into a propulsive, unified gesture.
  • When the "Gaudeamus Hodie" section enters with counterpoint, rehearse each voice part alone first to hear how the lines interlace. Full ensemble blend follows naturally once singers own their individual melodic shape.
  • Shape the modulations by asking singers to "listen toward" the new key rather than fighting the transition. A relaxed breath at each pivot point signals the harmonic shift without losing momentum.
  • The fanfare conclusion demands bright, unified vowels across all three parts. A final run-through in full voice (not full intensity) a day before performance lets everyone feel the collective power without fatigue.

How to use it

Program this as a finale or near-finale to capitalize on its jubilant, forward-driving character. It works especially well paired with reverent liturgical pieces, where its brightness and exultation provide emotional contrast. For contest or festival, its combination of technical interest and emotional directness appeals to both adjudicators and audiences.

Skills your students will build

  • Reading and maintaining rhythmic accents across subdivisions in the main theme
  • Singing through key modulations with tonal stability
  • Balancing individual lines within counterpoint while maintaining ensemble unity
  • Building intensity and sustaining climactic moments through the fanfare section
  • Interpreting sacred text with both reverence and jubilation

You May Also Like