Lift Up Your Voice! Cover Image

Lift Up Your Voice!: SAB Choral Octavo

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Lift Up Your Voice! Cover Image

Lift Up Your Voice!: SAB Choral Octavo

Words and music by Victor C. Johnson

Item: 00-43399

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Description
Here's a kickin' gospel original with energy to spare. Spirited syncopations and intricate chord changes authenticate the style, and a short piano solo paves the way for a funky vocal stack that drives to the end and brings it all home!

Don't just read it, hear it, play along with it, and watch your students grow with it. In MakeMusic Cloud, Lift Up Your Voice!: SAB Choral Octavo comes alive with professional accompaniment, adjustable tempo, and built-in practice tools that turn solo practice into real progress.

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Additional Details
Series: Alfred Choral Designs
Publisher: Alfred Music
Page Count: 12
UPC: 038081489407
SKU: 00-43399

More about this title

About the Composer: Victor C. Johnson

Victor C. Johnson

Victor C. Johnson brings deep roots in Texas choral education to everything he composes and arranges. As School Choral Editor for Sing! (the educational publishing division of Choristers Guild), he shapes choral repertoire for students across the country, drawing on his experience directing multiple ensembles at Ft. Worth Academy of Fine Arts from 2000 to 2018, including the Academy Singers, Academy Men's Choir, and the Singing Girls of Texas.

With more than 500 choral works, vocal solos, and keyboard collections in print, Johnson writes with direct knowledge of what works in rehearsal and what excites singers. He currently conducts the Dallas Symphony Children's Chorus Mixed Ensemble and holds memberships in the American Choral Directors Association, Texas Music Educators Association, and ASCAP, among other professional organizations.

Why we love this

Johnson nails the gospel idiom here with authentic syncopation and chord movement that teaches style from the inside out, not through imitation. The short piano solo gives your singers a built-in moment to reset and gather energy before the funky final stack, and that structural clarity makes this feel less like a novelty number and more like a piece your students will want to learn.

What to expect

Spirited and grounded. The piece bounces with rhythmic vitality and unexpected chord changes that keep listeners alert, while the SAB voicing and authentic gospel language make it feel immediate and joyful rather than academic. By the final chorus, the funky vocal stack and groove create a sound that's both polished and genuinely alive.

Who it's for

Directors looking for a contemporary gospel original that sits comfortably in SAB voicing and energizes both student singers and audiences. This works especially well for choirs already engaged with gospel style or those ready to expand their stylistic range with a piece that teaches authentic syncopation and modern harmonic language.

How to get the most out of it

  • Lock the rhythmic feel early. The syncopations sit differently on the page than they land in actual time, so lock the groove with your rhythm section first and bring the singers in once everyone owns where the beat actually lives.
  • Balance the SAB voicing so the bass line drives underneath; in gospel style, the lowest voices anchor the pocket and give the higher parts room to sit on top without strain.
  • Shape the piano solo as a genuine solo moment, not a breather. Let it breathe, emphasize its funky character, and use it as your downbeat to reset tempo and energy before the final vocal section.
  • Encourage singers to commit physically and vocally to the final stack. This ending is meant to be felt; the energy compounds when singers release any inhibition about belt and presence.

How to use it

Place this late in a concert where energy can build and audiences expect something contemporary. It pairs beautifully with spirituals or other sacred works in your program, offering a modern counterpoint that shows the range of your choir's style and technical skill.

Skills your students will build

  • Gospel syncopation and rhythmic accuracy in style
  • Reading and executing contemporary harmonic progressions
  • Blend and balance in three-part mixed voicing
  • Sustaining groove and pocket awareness across ensemble parts
  • Style-specific vocal production and articulation

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