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Liar: Concert Band Conductor Score & Parts

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Liar Cover Image

Liar: Concert Band Conductor Score & Parts

As Recorded by Camila Cabello

Words and music by Jenny Berggren, Malin Berggren, Buddha, Joker, Alexandra Tamposi, Camila Cabello, Stefan Johnson, Jonathan Bellion, Andrew Wotman, Jordan Johnson, and Lionel Richie / arr. Michael Kamuf

Grade: 2.5 (Medium Easy)

Item: 00-48197

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Description
Cuban-American singer and songwriter Camilla Cabello combines flamenco, ska, and pop music elements in her latest hit. Tight rhythms and uniform articulations will make this arrangement shine. Latin-American percussion instruments will bring this infectious groove alive at your next concert! (2:45) This title is available in MakeMusic Cloud.

Don't just read it, hear it, play along with it, and watch your students grow with it. In MakeMusic Cloud, Liar: Concert Band Conductor Score & Parts comes alive with professional accompaniment, adjustable tempo, and built-in practice tools that turn solo practice into real progress.

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Additional Details
Series: Pop Young Band
Publisher: Alfred Music
Page Count: 254
UPC: 038081558936
SKU: 00-48197

More about this title

Why we love this

Michael Kamuf's arrangement strips away production polish without losing the song's infectious energy, leaving plenty of room for your ensemble to own the groove. The Grade 2.5 orchestration keeps technical demands reasonable while still requiring rhythmic precision and articulation clarity that will genuinely challenge a young band. You'll find the Latin percussion writing refreshing and idiomatically correct without needing a specialized percussion section.

What to expect

Sharp, modern, and groovy. The flamenco and ska influences give this pop song an edge that keeps it from sounding generic, while the arrangement sits comfortably enough that your students can actually enjoy playing it rather than just surviving it. Two minutes forty-five seconds of infectious momentum.

Who it's for

Bands at the Grade 2 to 3 level who want contemporary repertoire with real style. This works especially well for ensembles developing their rhythmic independence and learning to play with groove rather than just precision.

How to get the most out of it

  • Lock in the kick-snare coordination early in rehearsals. The pop-influenced backbeat sits differently than traditional concert band charts, and your rhythm section needs that rock-solid foundation before the full ensemble layers in.
  • Treat articulation markings as structural glue. Uniform tonguing across sections (especially the brass) is what transforms this from sounding like a pop cover into sounding like a confident band arrangement.
  • Let the Latin percussion instruments breathe and sit in the mix properly during sectionals. Congas and timbales should anchor the groove, not compete with it, so balance matters as much as accuracy.

How to use it

Schedule this in a concert where you can pair it with other contemporary works or mix it with more traditional pieces to show your ensemble's range. The upbeat energy makes it an excellent closer or second-half opener, especially when you want to remind the audience that concert band can be fun and current.

Skills your students will build

  • Executing consistent articulation across sections
  • Reading and playing with syncopated rhythms (pop/Latin hybrid styles)
  • Balancing Latin percussion instruments within an ensemble mix
  • Interpreting groove-based rather than metrically rigid ensemble playing
  • Understanding flamenco and ska idioms within a contemporary context

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