Liar: Concert Band Conductor Score & Parts
As Recorded by Camila Cabello
Words and music by Jenny Berggren, Malin Berggren, Buddha, Joker, Alexandra Tamposi, Camila Cabello, Stefan Johnson, Jonathan Bellion, Andrew Wotman, Jordan Johnson, and Lionel Richie / arr. Michael Kamuf
Grade: 2.5 (Medium Easy)
Item: 00-PK-0008125
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Description
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About the Composer: Jenny Berggren
Jenny Berggren is a Swedish composer and member of the pop duo Roxette, alongside her sister Marie. Her work spans multiple genres and has reached global audiences across decades. In the concert band arrangement space, Berggren brings her distinctive pop sensibility and understanding of infectious melodic hooks to young ensemble settings.
Why we love this
This arrangement captures what makes the original irresistible: infectious grooves that sit comfortably at Grade 2.5, giving young musicians a genuine pop experience without excessive technical demands. The scoring prioritizes tight rhythmic unison and clean articulation, which means your band can focus on locking in the pocket and nailing those Latin-American percussion moments rather than wrestling with complex harmonies. Programming a current pop hit with flamenco and ska elements broadens your concert appeal while keeping rehearsal time manageable.
What to expect
Energetic and groove-oriented, with flamenco snap and ska bounce woven into pop sensibilities. The arrangement sparkles when articulations are clean and rhythms sit solidly in the pocket, creating that infectious quality that makes the original so compelling. At 2 minutes 45 seconds, it delivers maximum impact without overstaying its welcome.
Who it's for
Concert bands at the intermediate level (Grades 2.5) who want to expand beyond traditional concert band repertoire and connect with students through contemporary music. This works well for groups with developing but reliable rhythm sections and enough Latin-American percussion instrumentation to realize the arrangement's personality. Conductors seeking to program a recognizable song that doesn't sacrifice musicianship make this an ideal fit.
How to get the most out of it
- Prioritize rhythmic precision in the rhythm section. Use a metronome during sectional rehearsals to establish that tight foundation the arrangement depends on; once the groove locks, the rest of the band will sit naturally into place.
- Balance articulation across all sections. Mark exactly where staccato cuts off (especially in syncopated passages), because uniformity here is what makes the flamenco and ska flavors pop.
- Give the Latin-American percussion players early ownership of the arrangement. Let them rehearse their parts independently so they understand how they anchor the infectious character the piece demands.
- Test the dynamic range in context. Medium Easy doesn't mean the whole piece sits at mezzo-forte; shape the phrasing so each section of the arrangement breathes and builds toward the strongest moments.
How to use it
Place this alongside other contemporary pop arrangements to create a themed set that showcases your band's versatility and appeals to families less familiar with traditional concert band literature. It works particularly well in spring or pop-focused concerts where you want to celebrate what students hear on the radio while maintaining artistic standards. The manageable length makes it an excellent opener or closer that energizes the audience.
Skills your students will build
- Tight rhythmic ensemble playing in syncopated patterns
- Clean, unified articulation across multiple sections
- Rhythmic independence within a groove-based texture
- Stylistic playing across Latin-American, flamenco, and ska idioms
- Dynamic control and musical shaping within a pop context
- Collaboration with percussion to lock in ensemble pocket