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Liar: Concert Band Conductor Score

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Liar: Concert Band Conductor Score

As Recorded by Camila Cabello

Words and music by Jenny Berggren, Malin Berggren, Buddha, Joker, Alexandra Tamposi, Camila Cabello, Stefan Johnson, Jonathan Bellion, Andrew Wotman, Jordan Johnson, and Lionel Richie / arr. Michael Kamuf

Grade: 2.5 (Medium Easy)

Item: 00-48197S

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Description
Cuban-American singer and songwriter Camilla Cabello combines flamenco, ska, and pop music elements in her latest hit. Tight rhythms and uniform articulations will make this arrangement shine. Latin-American percussion instruments will bring this infectious groove alive at your next concert! (2:45) This title available in MakeMusic Cloud.

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Additional Details
Series: Pop Young Band
Publisher: Alfred Music
Page Count: 24
UPC: 038081558943
SKU: 00-48197S

More about this title

Why we love this

Michael Kamuf's arrangement captures the modern pop energy of the original while keeping the band-friendly Grade 2.5 level accessible. The writing leans into what makes this song infectious: sharp rhythmic precision and the interplay between Latin percussion and concert band color. Your students will recognize it immediately, and they'll actually want to nail those articulations because the groove demands it.

What to expect

Sharp, infectious energy with a sophisticated blend of global styles. The arrangement sits comfortably between a pop song and concert band writing, letting the original's Latin warmth shine through tight, articulate ensemble work.

Who it's for

Concert bands at the medium-easy to solid intermediate level who want contemporary repertoire that doesn't sacrifice musicality. Bands with access to auxiliary percussion and players who respond well to rhythmically precise, groove-based arrangements will find this especially rewarding.

How to get the most out of it

  • Lock the Latin percussion into a consistent pulse before running the full band; the clave and other percussion establish the harmonic foundation here, so clean entrances matter as much as pitch
  • Shape the ska-influenced sections by treating them as breath breaks in the pop melody rather than tempo shifts; keep the swing element subtle and grounded
  • Blend the flamenco and pop elements by balancing woodwind articulation with the Latin percussion colors; they're partners, not competing layers

How to use it

Pair this with other contemporary pop arrangements for a cohesive modern concert, or use it as a high-energy closer that connects with student musicians and audiences alike. At under three minutes, it's an ideal opener or punctuation mark between longer classical or jazz selections.

Skills your students will build

  • Latin-American percussion integration and rhythmic coordination
  • Precise articulation control in pop-influenced ensemble textures
  • Reading and performing mixed style elements (ska, flamenco, pop) within a single arrangement
  • Listening for rhythmic independence while maintaining ensemble cohesion
  • Balancing comfort with contemporary music and concert band technique

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