Let Heaven and Nature Sing Cover Image

Let Heaven and Nature Sing: Choral Octavo SoundTrax CD

$24.99 USD
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Let Heaven and Nature Sing Cover Image

Let Heaven and Nature Sing: Choral Octavo SoundTrax CD

Words and music by Sally K. Albrecht and Jay Althouse

Item: 00-33100

$24.99
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Description
A full-sounding and joyous choral for your holiday concerts, featuring touches of both "Joy to the World" and "Adeste Fideles." Consider combining all of your choirs for a festive finale. Church choirs will enjoy it, too.

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Additional Details
Series: Alfred Choral Designs
Publisher: Alfred Music
UPC: 038081360089
SKU: 00-33100

More about this title

About the Composer: Sally K. Albrecht

Sally K. Albrecht

Sally K. Albrecht has shaped American choral music for over four decades as a composer, conductor, and clinician with particular expertise in integrating movement and gesture into choral performance. Since 1987, she has received the ASCAP Special Music Award annually and maintains more than 600 published choral works alongside 75 larger songbooks and musicals. Her conducting has been featured at prestigious venues including Lincoln Center, Carnegie Hall, and The Kennedy Center, where she has led honor choirs and festival ensembles across the nation.

Albrecht spent more than thirty years developing publications for major educational music publishers, culminating in her role as Director of School Choral, Vocal, and Elementary Publications at Alfred Music. She holds degrees from Rollins College (B.A. in Music and Theater, 1976), the University of Miami (M.A. in Drama, 1977), and the University of Miami (M.M. in Accompanying, 1979), and has taught at Oakland University, Jersey City State College, and Meredith College. In 2021, she received the Distinguished Alumna Award from both the University of Miami Frost School of Music and Rollins College.

Why we love this

This octavo captures the warmth of the season without sacrificing musical substance. The familiar melodic references to "Joy to the World" and "Adeste Fideles" create immediate recognition while the original composition stands on its own merit, giving singers something genuinely rewarding to perform. The SoundTrax accompaniment lets you rehearse independently and provides a polished sound that makes a memorable finale for any holiday concert.

What to expect

Joyful and full-bodied, with the comfort of recognized hymn melodies woven into fresh harmonic writing. The piece radiates celebration without feeling hectic; it has the spaciousness of a well-crafted anthem and the warmth of music designed to move both performers and listeners.

Who it's for

School choirs at the middle school through high school level, church choirs, and any ensemble looking for a sophisticated yet accessible holiday selection. The piece works equally well as a feature for a single choir or as a climactic moment when you combine all your choral groups.

How to get the most out of it

  • Build dynamics gradually from the opening to the full choral sections, allowing the familiar hymn tune references to emerge naturally rather than announcing them.
  • Balance the parts carefully so the original melodic material remains clear even as harmonic richness accumulates; this prevents the piece from becoming muddy despite its full sound.
  • Use the recorded accompaniment during sectional rehearsals to establish security in the inner voices, then transition to live accompaniment as confidence grows.
  • If combining multiple choirs for the finale, ensure all sections know their ending well; rehearse the transition and final cut-off independently before the full run-through.

How to use it

Reserve this for your holiday concert finale, especially if you're programming a mix of traditional and contemporary pieces. The festive character and recognizable hymn references make it an ideal closing number that audiences will embrace, and the option to combine choirs adds visual and sonic impact to your program's conclusion.

Skills your students will build

  • Singing layered harmonic writing with independence between parts
  • Blending familiar melodic material with original composition
  • Ensemble balance and blend in full four-part (or larger) choral textures
  • Sustaining musical phrasing through harmonic changes

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