Let Heaven and Nature Sing Cover Image

Let Heaven and Nature Sing: 3-Part Mixed Choral Octavo

$1.75 USD
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Let Heaven and Nature Sing Cover Image

Let Heaven and Nature Sing: 3-Part Mixed Choral Octavo

Words and music by Sally K. Albrecht and Jay Althouse

Item: 00-33098

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Description
A full-sounding and joyous choral for your holiday concerts, featuring touches of both "Joy to the World" and "Adeste Fideles." Consider combining all of your choirs for a festive finale. Church choirs will enjoy it, too.

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Additional Details
Series: Alfred Choral Designs
Publisher: Alfred Music
Page Count: 12
UPC: 038081360065
SKU: 00-33098

More about this title

About the Composer: Sally K. Albrecht

Sally K. Albrecht

Sally K. Albrecht brings three decades of publishing experience and a proven gift for writing music that works in real rehearsals. Her résumé includes over 600 choral publications, annual ASCAP recognition since 1987, and conducting credits at Lincoln Center, Carnegie Hall, and The Kennedy Center. She shaped the choral landscape as Director of School Choral, Vocal, and Elementary Publications for major educational publishers, including Alfred Music.

Albrecht holds degrees from Rollins College (B.A. in Music and Theater) and the University of Miami (M.A. in Drama and M.M. in Accompanying). She has taught at Oakland University, Jersey City State College, and Meredith College. A Cleveland native, she now lives in North Carolina with her husband, composer and arranger Jay Althouse. Her leadership extends beyond music into civic life; she served as Chair of the Board of Trustees for the Omicron Delta Kappa National Leadership Honor Society and received the "Pillar of Leadership" award from that organization.

Why we love this

The harmonic vocabulary here walks a line between familiar and fresh, weaving recognizable melodic fragments into a setting that doesn't feel like a quilt. The three-part voicing sits comfortably across a mixed ensemble without requiring tenors to strain or sopranos to sit uncomfortably high, which matters when you're bringing multiple choirs together for a finale. The full sound comes from smart part writing and spacing, not from pushing singers beyond their range.

What to expect

Luminous and celebratory, with the warmth of beloved carols filtered through a contemporary harmonic lens. The piece breathes generously; it never feels rushed or cluttered despite its full sonority. There's an infectious joy here that invites singers to smile while they perform.

Who it's for

High school and adult choirs looking for a joyous, singable holiday finale that reads as substantial without requiring advanced vocal technique. Church choirs will find it works equally well in December services or festive community events. It suits any director who wants to program something recognizable but not overdone.

How to get the most out of it

  • Balance the familiar tune fragments so they land as "Oh, I hear that!" moments rather than obvious quotes. Slight dynamic shaping within those phrases helps the ear register them without making them stick out.
  • Use the recorded accompaniment in early rehearsals to lock the harmonic progression, then gradually reduce it so singers carry more independence by performance.
  • When combining multiple choirs, rehearse the piece with full forces at least once before the concert. The blend and intonation shift noticeably with doubled voices, and singers need to adjust their listening.

How to use it

Reserve this for the closing moments of a holiday concert when you want to leave the audience uplifted and unified. It works beautifully when you've built toward it with a mix of pieces in different styles, providing the triumphant send-off that makes people linger as they leave. Alternatively, use it as the anchor piece for a program entirely devoted to festive music.

Skills your students will build

  • Blending three-part mixed voicing with clear part independence
  • Recognizing and performing melodic allusions within a new harmonic context
  • Sustaining full, resonant tone across a range of dynamics
  • Tuning adjustments when doubling familiar harmonic progressions

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