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Let Heaven and Nature Sing: Choral SoundPax

$30.00 USD
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Let Heaven and Nature Sing Cover Image

Let Heaven and Nature Sing: Choral SoundPax

Words and music by Sally K. Albrecht and Jay Althouse

Item: 00-33101

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Description
A full-sounding and joyous choral for your holiday concerts, featuring touches of both "Joy to the World" and "Adeste Fideles." Consider combining all of your choirs for a festive finale. Church choirs will enjoy it, too.

Don't just read it, hear it, play along with it, and watch your students grow with it. In MakeMusic Cloud, Let Heaven and Nature Sing: Choral SoundPax comes alive with professional accompaniment, adjustable tempo, and built-in practice tools that turn solo practice into real progress.

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Additional Details
Series: Alfred Choral Designs
Publisher: Alfred Music
Page Count: 30
UPC: 038081360096
SKU: 00-33101
Instrumentation: SoundPax

More about this title

About the Composer: Sally K. Albrecht

Sally K. Albrecht

Sally K. Albrecht brings three decades of experience shaping choral music in schools and publishing. Her work as Director of School Choral, Vocal, and Elementary Publications at Alfred Music, combined with her prolific output of over 600 choral compositions and 75 musicals, has made her voice essential to American music education. She has led honor choirs at major venues including Lincoln Center, Carnegie Hall, and The Kennedy Center, and has received the ASCAP Special Music Award annually since 1987.

Albrecht earned a B.A. in Music and Theater from Rollins College and went on to study at the University of Miami, where she received both an M.A. in Drama and an M.M. in Accompanying. She has taught at Oakland University, Jersey City State College, and Meredith College. Her work frequently incorporates movement and stagecraft, reflecting her dual background in music and theater. Currently based in North Carolina with her husband, composer and arranger Jay Althouse, she serves on the Board of Trustees at Rollins College and received the Distinguished Alumna Award from both Rollins and the University of Miami Frost School of Music in 2021.

Why we love this

Albrecht and Althouse crafted a piece that sounds bigger than it is, blending two beloved hymn melodies into something that feels fresh and celebratory. The SoundPax format makes it accessible to multiple choir levels, so you can genuinely combine your entire choral program for a finale that lands with real impact. Holiday concerts need moments that feel genuinely joyous rather than obligatory, and this delivers that.

What to expect

Joyous and full-bodied, with the warmth of two beloved hymn traditions woven together. There's a sense of celebration that feels earned rather than forced, grounded in the familiar contours singers and listeners already know. It carries both reverence and brightness, making it feel both substantial and approachable.

Who it's for

Middle school and high school choirs looking for a holiday piece that sounds polished and full will find this especially useful. Church choirs, particularly those with volunteer singers of varying experience, will appreciate the accessibility of the SoundPax format. This works equally well for directors seeking a standalone piece or a finale that showcases multiple choirs together.

How to get the most out of it

  • Balance the two familiar melodic elements so neither overwhelms the other; singers will naturally gravitate toward 'Joy to the World,' so give 'Adeste Fideles' deliberate attention in rehearsal to let both shine.
  • Use the recorded accompaniment to establish the full harmonic texture during early rehearsals, which will help singers hear how their parts sit in the richer context.
  • If combining multiple choirs, rehearse separately first, then bring sections together gradually to manage blend and intonation before the full group rehearsal.
  • Lean into the festive character in your conducting; this piece rewards spirited, forward-moving energy rather than overly cautious phrasing.

How to use it

Program this as a finale that unites your entire choral program, especially if you have a concert with multiple choir levels or select and general choirs. It works well in mid-December holiday concerts where you want to move from quieter, more reflective pieces into something communal and affirming. The SoundPax format also makes it suitable for church performances where you might combine your regular choir with visiting singers or musicians.

Skills your students will build

  • Blending two distinct melodic lines within a harmonic texture
  • Navigating fuller, four-part (or greater) voicing in a choral context
  • Balancing independent part lines while maintaining ensemble cohesion
  • Singing with style appropriate to hymn-based material while maintaining rhythmic precision

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