Let Heaven and Nature Sing Cover Image

Let Heaven and Nature Sing: 2-Part Choral Octavo

$1.75 USD
$1.75 USD
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Let Heaven and Nature Sing Cover Image
Let Heaven and Nature Sing: 2-Part Choral Octavo

Let Heaven and Nature Sing: 2-Part Choral Octavo

Words and music by Sally K. Albrecht and Jay Althouse

Item: 00-33099
$1.75
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Description
A full-sounding and joyous choral for your holiday concerts, featuring touches of both "Joy to the World" and "Adeste Fideles." Consider combining all of your choirs for a festive finale. Church choirs will enjoy it, too.

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Additional Details
Series: Alfred Choral Designs
Publisher: Alfred Music
Page Count: 12
UPC: 038081360072
SKU: 00-33099

More about this title

About the Composer: Sally K. Albrecht

Sally K. Albrecht

Sally K. Albrecht has shaped American choral music for over four decades as a composer, conductor, and clinician with a distinct focus on choral movement and accessibility. Since 1987, she has received consecutive ASCAP Special Music Awards and maintains more than 600 published choral works alongside 75 larger-scale musicals and songbooks. Her career includes conducting honor choirs at major venues including Lincoln Center, Carnegie Hall, and The Kennedy Center, and she spent over thirty years leading choral, vocal, and elementary music publications at major educational publishers, most recently at Alfred Music.

Albrecht holds degrees from Rollins College (B.A. in Music and Theater, 1976), the University of Miami (M.A. in Drama, 1977; M.M. in Accompanying, 1979), and has taught at Oakland University, Jersey City State College, and Meredith College. Her contributions to music education earned her the Distinguished Alumna Award from both the University of Miami Frost School of Music and Rollins College in 2021. She is also a past Chair of the Board of Trustees for the Omicron Delta Kappa National Leadership Honor Society and currently resides in Wake Forest, North Carolina, with her husband, composer and arranger Jay Althouse.

Why we love this

The integration of two beloved carols within a fresh compositional framework gives singers immediate familiarity while delivering genuine musical substance. Directors appreciate arrangements that work for both school and church settings, and this piece accommodates everything from smaller ensembles to full festival configurations without sacrificing musicality or ease of preparation.

What to expect

Joyful and inclusive, this arrangement wraps the listener in the warmth of tradition while maintaining a contemporary ease. The writing breathes with festive energy without venturing into complexity, inviting singers to invest emotionally in music they likely know by heart.

Who it's for

This piece suits middle and high school choirs of any size, from standard mixed groups to treble or lower voice choirs, and translates equally well to adult church ensembles. Directors seeking a crowd-pleasing finale that demands minimal rehearsal time while delivering full, polished sound will find it reliable for winter concerts and holiday services.

How to get the most out of it

  • Balance the melody line clearly between parts so the carol echoes register distinctly; avoid blending them into a single harmonic mass.
  • Shape the festive passages with bright tone and lifted articulation, letting the joy in the text drive the phrasing rather than mechanical accents.
  • When combining multiple choirs, conduct with a single unified tempo and gesture to maintain cohesion across the larger sound.
  • If using the recorded accompaniment, rehearse without it first so singers internalize their own parts before adding the support.

How to use it

Reserve this for the closing moments of a holiday concert, where its full-bodied sound and instant recognition will send audiences out with sustained goodwill. The optional use of multiple ensembles makes it an ideal anchor for programs where you wish to unite separate choirs in a single, unified statement.

Skills your students will build

  • Blending two melodic lines simultaneously while maintaining part independence
  • Balancing harmony voices to support rather than obscure a primary melody
  • Singing with sustained tone and musicality in a festive style
  • Coordinating with larger ensemble groups in a unified rehearsal and performance context

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