La Virgen de la Macarena Cover Image

La Virgen de la Macarena: Brass Band Conductor Score & Parts

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La Virgen de la Macarena Cover Image

La Virgen de la Macarena: Brass Band Conductor Score & Parts

Traditional Spanish / arr. David Marlatt

Level: Medium

Item: 81-BB1250

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Description
"La Virgen de la Macarena" is a traditional bullfighting song made famous by the great trumpet virtuoso Rafael Mendez. Many great players have performed this standard trumpet solo including Doc Severinson and The Canadian Brass. However the arranger's favorite version is a recording by Mr. Vincent Di Martino with the Band of the Battle Creek. There has been a short introduction added quoting part of Bizet's Carmen. This introduction serves to set up both the soloist and the famous "bull" tune. Ole!

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Additional Details
Series: Eighth Note Publications
Publisher: Eighth Note Publications
ISBN10: 1-55473-881-4
ISBN13: 978-1-55473-881-6
UPC: 685462018826
SKU: 81-BB1250

More about this title

About the Arranger: David Marlatt

David Marlatt has built a reputation as an arranger who understands what brass bands need: engaging repertoire that balances accessibility with musical substance. His work appears regularly in contest programs and festival selections, where his careful orchestrations give ensembles room to breathe while maintaining genuine musicality.

Why we love this

Marlatt captures the swagger and spectacle of this iconic bullfighting standard while respecting its trumpet heritage. The Carmen introduction is a clever narrative touch that builds anticipation before the soloist launches into the famous melody, giving the arrangement theatrical stakes beyond the tune itself.

What to expect

Passionate and theatrical, with the gravitas of a bullfighting processional giving way to the irresistible momentum of the main theme. The Carmen connection lends European sophistication to what is ultimately a joyride of a tune.

Who it's for

Brass bands seeking a showpiece that honors a classical trumpet tradition while delivering crowd-pleasing energy at contests and festivals. Your trumpet soloist should be secure in the upper register and comfortable with the idiomatic gestures the melody demands.

How to get the most out of it

  • Balance the soloist's projection against the band accompaniment so the trumpet voice cuts through without the supporting parts receding into mere background. The excitement of the arrangement lives in the dialogue between them.
  • Shape the Carmen quotation with deliberate pacing in the introduction. This section sets the dramatic frame for everything that follows, so resist the urge to rush it.
  • Commit fully to the Latin rhythmic character throughout. The groove beneath the solo line is what makes this arrangement dance rather than merely sit.

How to use it

Ideal for a contest set where you need a featured solo moment that engages the audience without requiring lengthy programming notes. It pairs well with both classical and contemporary brass band literature, offering a tonal and stylistic contrast to heavier works.

Skills your students will build

  • Balancing solo and ensemble textures in a brass band context
  • Interpreting Latin rhythmic figures with precision and style
  • Maintaining ensemble cohesion while supporting a featured soloist
  • Executing smooth transitions between contrasting musical sections (classical introduction to traditional folk melody)

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