La Virgen de la Macarena Cover Image

La Virgen de la Macarena: Brass Choir Score & Parts

$30.00 USD
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La Virgen de la Macarena Cover Image

La Virgen de la Macarena: Brass Choir Score & Parts

Traditional Spanish / arr. David Marlatt

Level: Medium

Item: 81-BC1793

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Description
"La Virgen de la Macarena" is a traditional bullfighting song made famous by the great trumpet virtuoso Rafael Mendez. Many great players have performed this standard trumpet solo including Doc Severinson and The Canadian Brass. However the arranger's favorite version is a recording by Mr. Vincent Di Martino with the Band of the Battle Creek. There has been a short introduction added quoting part of Bizet's Carmen. This introduction serves to set up both the soloist and the famous "bull" tune. Olé!

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Additional Details
Series: Eighth Note Publications
Publisher: Eighth Note Publications
ISBN10: 1-77157-385-6
ISBN13: 978-1-77157-385-6
UPC: 685462023868
SKU: 81-BC1793
Instrumentation: Brass Choir

More about this title

Why we love this

Marlatt captures the swagger and drama of this beloved trumpet standard while reimagining it for full brass choir, giving every player a moment to shine rather than relegating most to accompanimental roles. The Carmen introduction adds sophistication and narrative arc, transforming what could be a straightforward crowd-pleaser into a piece with real musical architecture. Audiences recognize the tune immediately, but they'll hear it fresh here.

What to expect

Dramatic and irresistible. The Carmen opener pulls you into a moment of theatrical tension before the infectious, instantly recognizable main theme takes over with a spirit that's both celebratory and defiant. There's pride and swagger in every phrase, the kind of music that makes audiences lean forward and move with the beat.

Who it's for

Brass choirs and quintet-plus ensembles looking for a showstopper that balances accessibility with musical substance. Directors programming contests, festivals, or concerts need a piece that engages audiences instantly while offering solid playing challenges at the medium level.

How to get the most out of it

  • Balance the Carmen quotation so it establishes mood without overshadowing the main theme; this section sets expectations for elegance and control.
  • Shape the famous melody with generous rubato in the solo passages, allowing the principal voice breathing room to phrase like Mendez and Di Martino did.
  • Lock the rhythm section (low brass and percussion) firmly on the Latin feel once the bull tune enters; this rhythmic anchor lets soloists lean into the line.
  • Clarify articulations in tutti sections so the ensemble cuts through without losing the traditional character of the piece.

How to use it

Place this as a finale or show-stopping centerpiece where you need immediate audience connection and energy. Its Latin heritage and contest appeal make it ideal for themed concerts, multicultural programming, or as a strong closer that leaves people smiling and talking as they leave.

Skills your students will build

  • Latin rhythmic articulation and feel
  • Balancing solo line with ensemble accompaniment
  • Stylistic phrasing in traditional Spanish-influenced material
  • Dynamic control in both intimate and full-ensemble passages
  • Coordination of rhythm section in a non-traditional ensemble context

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