La Virgen de la Macarena (Solo Trumpet and Concert Band) Sheet Music Preview

La Virgen de la Macarena (Solo Trumpet and Concert Band): Concert Band Conductor Score & Parts

Solo Trumpet and Concert Band

Traditional Spanish / arr. David Marlatt

Grade: 3

Item: 81-PK-0000009

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Description
La Virgen de la Macarena is a traditional bullfighting song made famous by the great trumpet virtuoso Rafael Mendez. Many great players have performed this standard trumpet solo including Doc Severinson and The Canadian Brass. However the arranger's favourite version is a recording by Mr. Vincent Di Martino with the Band of the Battle Creek. There has been a short introduction added quoting part of Bizet's Carmen. This introduction serves to set up both the soloist and the famous "bull" tune. Olé!

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Additional Details
Series: Eighth Note Publications
Publisher: Eighth Note Publications
Page Count: 220
SKU: 81-PK-0000009

More about this title

Why we love this

Marlatt's arrangement captures the swagger and excitement of a genuine trumpet showcase while keeping the ensemble writing accessible at Grade 3. The opening nod to Bizet's Carmen signals the dramatic stakes before launching into the famous 'bull' tune, giving your band a chance to support a genuine solo moment rather than simply backing up a melody. It's the kind of piece that energizes both sections of the stand and reminds audiences why the trumpet matters.

What to expect

Passionate and theatrical. The piece conjures the heat and color of Spanish tradition, opening with operatic drama before unleashing the brash, forward energy of the iconic 'bull' tune. It's fun and show-stopping without being frivolous; the orchestra arrangement respects the solo line while giving the full band moments to shine.

Who it's for

Band directors looking for a feature that celebrates a single strong trumpet player without requiring virtuosic facility beyond Grade 3 ensemble capability. This works equally well for a concert showcasing section standouts or for a musician preparing a solo recital appearance with band accompaniment.

How to get the most out of it

  • Balance the Carmen introduction carefully so the band sets an atmospheric foundation without overwhelming the soloist's entrance into the main theme.
  • Lock the ensemble's rhythmic foundation in the Latin sections; the forward momentum depends on locked articulation and consistent attack from the entire band.
  • Give your trumpet soloist space to breathe and shape the famous 'bull' tune with character; this melody has a long performance tradition and benefits from personal phrasing within the structure.
  • Rehearse the transitions between the Carmen quote and the main theme deliberately so the soloist has clear cues for the style shift.

How to use it

Feature this in a concert that celebrates cultural diversity or as a vehicle for recognizing a graduating senior or featured soloist. It pairs well with other Latin or theatrical repertoire and works as a program closer that leaves audiences energized. The Grade 3 ensemble level means you can program it without straining your full band's ability.

Skills your students will build

  • Supporting a featured soloist with balanced, stylistically appropriate accompaniment
  • Latin rhythmic precision and articulation in ensemble contexts
  • Reading and responding to clear solo-and-ensemble form across the full score
  • Building confidence in straightforward, high-energy musical expression

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