Kyrie Cover Image

Kyrie: SATB Choral Octavo

$2.25 USD
Sale price  $2.25 USD Regular price 
Skip to product information
Kyrie Cover Image

Kyrie: SATB Choral Octavo

Words and music by Richard Page, Steve George, and John Lang / arr. Kirby Shaw

Item: 00-47106

makemusic Cloud badge

Need it now?

Buy Digital Version
$2.25
Shipped

One moment…

Description
Flashback to the '80s and Mr. Mister's #1 Billboard hit! A hip mysterious opening gives way to an energized synth-pop groove that builds to the unforgettable, briefly Latin text refrain: "Kyrie eleison, down the road that I must travel!" Solid pop writing for choral voices. Join the retro revolution!

Don't just read it, hear it, play along with it, and watch your students grow with it. In MakeMusic Cloud, Kyrie: SATB Choral Octavo comes alive with professional accompaniment, adjustable tempo, and built-in practice tools that turn solo practice into real progress.

Sample Pages

Sample Audio
0:00
0:00
Sample Video
Additional Details
Series: Alfred Pop Choral Series
Publisher: Alfred Music
Page Count: 16
UPC: 038081538778
SKU: 00-47106

More about this title

About the Composer: Richard Page

Richard Page is best known as the lead vocalist and keyboardist of Mr. Mister, the rock band that dominated the 1980s pop charts. His songwriting combined accessible melodic sensibility with sophisticated production sensibilities, helping define the synth-pop sound of the decade. Page's work demonstrates how pop songwriting can be both commercially successful and musically substantive.

Why we love this

Kirby Shaw's arrangement captures everything that made the original hit unforgettable while writing idiomatically for choir voices. The piece balances an irresistible pop groove with genuine choral depth, giving singers a genuine crowd-pleaser that doesn't talk down to them musically. Programming this gives your choir access to contemporary repertoire that audiences actually know and love.

What to expect

The piece opens with an intriguing, understated energy that immediately draws listeners in. Once the synth-pop groove locks in, it propels forward with infectious momentum, then shifts into a moment of transcendence when the Latin refrain arrives. There's genuine sophistication in how the arrangement balances fun and substance.

Who it's for

Choirs comfortable with contemporary pop arrangements and looking to program recognizable hits from the 1980s. This works well for concert choirs, show choirs, and pops programs seeking engaging repertoire that connects with audiences of all ages. Directors want material that challenges singers musically while delivering the appeal of a genuine chart-topper.

How to get the most out of it

  • Lock the rhythmic precision in the synth-pop groove sections. This style demands tight ensemble work; if the rhythm section wavers, the whole track loses its energy.
  • Shape the "Kyrie eleison" refrain with clarity and projection. This is the emotional centerpiece, and it needs to cut through the accompaniment while maintaining the Latin text's reverent quality.
  • Balance the mysterious opening carefully. The arrangement likely builds from intimate to energized, so respect that dynamic arc rather than starting at full volume.
  • Pay attention to any divisi passages. SATB voicing in pop arrangements often uses brief splits for harmonic color; make sure those moments are intentional, not accidental.

How to use it

Use this as a centerpiece in a pops concert or as the contemporary anchor in a concert featuring mixed repertoire. The 16-page octavo format makes it accessible for sight-reading rehearsals, and the recorded accompaniment option supports learning and performance. Consider programming it alongside other '80s hits to build a themed concert that appeals to multiple generations.

Skills your students will build

  • Synth-pop style interpretation and rhythmic precision
  • Clarity in Latin text pronunciation and diction
  • Balancing pop sensibility with choral tone production
  • Dynamic contrast across large formal sections
  • Ensemble blend in contemporary harmonic language

You May Also Like