Kyrie: SAB Choral Octavo
Words and music by Richard Page, Steve George, and John Lang / arr. Kirby Shaw
Item: 00-PO-0005877
Minimum order quantity: 20 copies
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Description
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More about this title
About the Composer: Richard Page
Richard Page is best known as the lead vocalist and keyboardist of Mr. Mister, the arena rock band that dominated the 1980s with sophisticated pop hooks and lush production. Beyond his work as a performer, Page has established himself as a skilled songwriter and composer, crafting the melodic sensibilities that made Mr. Mister's music enduring and singable across generations.
Page's ability to balance accessible pop songwriting with genuine musical substance makes his work particularly valuable in choral settings. His compositions translate naturally to ensemble voicing, maintaining their radio appeal while offering singers satisfying harmonic and melodic content.
Why we love this
This arrangement captures everything that made Mr. Mister's original hit infectious while giving your choir a song that lands with immediate recognition and energy. The blend of synth-pop groove with a Latin choral refrain creates genuine contrast and sophistication, giving singers something memorable to sink their teeth into without requiring extensive rehearsal time. Kirby Shaw's voicing keeps the SAB texture accessible while maintaining the song's pop polish and contemporary edge.
What to expect
A jolt of 1980s nostalgia wrapped in energetic pop sparkle. The mysterious, synth-driven opening draws you in with cool restraint before exploding into an irresistible groove that feels both retro and timeless. When the Latin refrain hits, it lands like the perfect earworm chorus, sophisticated but instantly singable.
Who it's for
Mixed choirs with intermediate sight-reading skills and some experience with pop styles. The SAB voicing makes it accessible to groups without a strong bass section, while the contemporary groove appeals to singers who engage with modern music.
How to get the most out of it
- Lock the rhythmic pocket of the synth-pop groove in the opening section. The mysterious quality depends on precision, not on dragging or speeding; have the choir tap or conduct the beat during early rehearsals to internalize the groove.
- Treat the Latin text refrain as your moment of vocal release. This section sits higher and needs genuine energy from the singers, so invest rehearsal time in building confidence here before adding any other musical layers.
- Balance the recorded accompaniment so it sits beneath the choral lines throughout. The synth textures are essential to the arrangement's character, but your singers' voices should remain the primary focus.
How to use it
Program this for a pop or contemporary music concert, or pair it with other '80s-inspired pieces for a thematic set about the decade's ongoing cultural resonance. It works equally well as a concert opener that captures immediate audience attention or as a program brightener that reminds listeners why this song became a Billboard fixture.
Skills your students will build
- Rhythmic precision in syncopated pop grooves
- Blending voices across three parts in SAB voicing
- Sustaining energy through dynamic builds and releases
- Interpreting Latin text with proper pronunciation and phrasing
- Tracking independent melodic lines while maintaining ensemble cohesion