Kyrie: SSA Choral Octavo
Words and music by Richard Page, Steve George, and John Lang / arr. Kirby Shaw
Item: 00-PO-0005878
Minimum order quantity: 20 copies
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Description
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More about this title
About the Composer: Richard Page
Richard Page is a singer, songwriter, and keyboardist best known as the lead vocalist and primary creative force behind Mr. Mister, the pop rock band that dominated the 1980s charts. His ability to craft memorable melodies paired with sophisticated production sensibilities made him a standout figure in synth-pop and new wave music during that era.
Page's compositional voice combines accessible pop hooks with unexpected harmonic and rhythmic textures, qualities that translate effectively to choral arrangements. His work continues to resonate with musicians and audiences who value melody-driven pop songwriting with substantive musical architecture.
Why we love this
Kirby Shaw's arrangement captures the iconic synth-pop DNA of the original while delivering genuinely singable choral writing that respects SSA ranges. The opening mystery and building energy keep students engaged throughout, and that Latin text moment gives a pop choir legitimate textural variety and cultural connection without losing the contemporary feel.
What to expect
Moody and intriguing at first, like stepping into a neon-lit space where mystery and familiarity coexist. The energy swells into an infectious synth-pop groove that feels both retro and immediate, with that Latin text moment adding an unexpected spiritual texture to what is fundamentally a secular pop arrangement.
Who it's for
This octavo works for SSA choirs looking to program contemporary pop with real musical substance. It appeals to singers who grew up with '80s music and those discovering it fresh, making it ideal for mixed-age ensembles or educational settings where you want to bridge generation gaps through repertoire.
How to get the most out of it
- Nail the mysterious opening by treating silence and space as actively as you treat sound; let the synth-pop groove establish itself clearly before voices enter so the contrast lands.
- Balance the refrain carefully so 'Kyrie eleison' sits as a distinct textural moment rather than just another section; this requires clear dynamic control and ensemble agreement on tone color.
- Lock the rhythm section to the recorded accompaniment early in rehearsal so singers can feel the groove confidently; once that foundation is solid, independence comes more naturally.
- Shape the energy arc across all 16 pages; the building quality in the arrangement needs direction, not just volume increase, so plan where intensity peaks and where you pull back for contrast.
How to use it
Program this alongside other '80s and '90s pop arrangements to create a cohesive contemporary set, or use it as a standalone spring concert feature that connects with audiences beyond the typical classical music listener. The accessible charm and recognizable melody make it especially effective for community concerts or fundraising events where you want broad appeal.
Skills your students will build
- Blend and balance in a contemporary groove context
- Rhythmic precision in synth-pop idiom
- Textural contrast and phrasing in pop writing
- Latin pronunciation (Kyrie eleison refrain)
- Ensemble independence while maintaining groove