Jingle Bells Cover Image

Jingle Bells: Choral Octavo SoundTrax CD

$29.99 USD
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Jingle Bells Cover Image

Jingle Bells: Choral Octavo SoundTrax CD

Words and music by James Pierpont / arr. Alan Billingsley

Item: 00-46347

$29.99
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Description
This fresh take on the ever-popular winter song could have been called "Jazzy Jingle Bells!" After a suspenseful introduction, syncopated rhythms and tight vocal harmonies permeate the remainder of this swingin' arrangement. Use the optional horns and rhythm SoundTrax CD or play the SoundPax parts with your live jazz band. A powerhouse spotlight selection!

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Additional Details
Series: Alfred Choral Designs
Publisher: Alfred Music
UPC: 038081527260
SKU: 00-46347

More about this title

About the Composer: James Pierpont

James Pierpont (1822-1893) composed one of America's most enduring holiday melodies when he wrote "Jingle Bells" in 1857. Originally titled "The One Horse Open Sleigh," the song emerged from the vibrant popular music scene of antebellum Boston and became a staple of winter celebrations across generations. Pierpont's gift for memorable melody and straightforward charm ensured his composition would outlast countless more ambitious works of his era.

While Pierpont composed songs, piano pieces, and sacred music throughout his career, "Jingle Bells" remains his sole claim to lasting fame. For music educators, this single composition offers a remarkable teaching opportunity: a universally recognized tune that can be freshly arranged and recontextualized for nearly any ensemble and skill level.

Why we love this

Billingsley transforms a familiar tune into something energetic and modern without losing the song's essential character. The syncopated rhythms and jazz harmonies give singers a genuine musical challenge while the optional instrumentation allows flexibility in how you present it, making this arrangement equally effective with your choir alone or with a full jazz band backing.

What to expect

A suave, energetic take on a beloved melody that swings with confidence and sophistication. The suspenseful opening pulls you in, then the syncopated grooves and layered harmonies create a driving sense of forward motion that feels contemporary and playful rather than nostalgic.

Who it's for

Choirs at the intermediate to advanced level who are comfortable with jazz harmony, syncopation, and ensemble blend. This works equally well for show choirs, jazz choirs, or traditional choral ensembles looking to expand their repertoire beyond classical or contemporary styles.

How to get the most out of it

  • Keep the suspenseful introduction tight and rhythmically controlled; this moment sets up the contrast with the swinging section that follows and commands attention from the start.
  • Lock the harmony parts into a unified groove during the syncopated passages; the tight vocal harmonies mentioned in the arrangement depend on precision, not volume.
  • If using the SoundTrax CD or live jazz band, rehearse extensively with the recorded or live accompaniment so singers can truly feel the swing and respond to the groove naturally.
  • Resist the urge to rush the tempo during the syncopated sections; a confident, relaxed pocket will land the jazz feel far more effectively than pushing the pace.

How to use it

Schedule this as a powerhouse winter concert closer or as a striking contrast piece within a varied program of holiday selections. The jazz treatment makes it an excellent bridge between traditional sacred holiday repertoire and contemporary choral styles, and it works particularly well on concerts that blend classical and popular idioms.

Skills your students will build

  • Reading and performing syncopated rhythms accurately
  • Balancing multiple moving harmony parts while maintaining clarity
  • Singing with swing feel and rhythmic precision
  • Adjusting vocal tone and articulation for jazz style
  • Ensemble coordination with recorded or live instrumental accompaniment

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