Jingle Bells: Choral SoundPax
Words and music by James Pierpont / arr. Alan Billingsley
Item: 00-PK-0007487
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Buy Extra Parts (Digital PDF Download)
| Product | Price | Quantity |
|---|---|---|
| Jingle Bells: Score | $8.00 | |
| Jingle Bells: B-flat Tenor Saxophone | $3.00 | |
| Jingle Bells: E-flat Baritone Saxophone | $3.00 | |
| Jingle Bells: 1st B-flat Trumpet | $3.00 | |
| Jingle Bells: 2nd B-flat Trumpet | $3.00 | |
| Jingle Bells: 1st Trombone | $3.00 | |
| Jingle Bells: 1st Percussion | $3.00 | |
| Jingle Bells: Guitar | $3.00 | |
| Jingle Bells: String Bass | $3.00 | |
| Jingle Bells: Drums | $3.00 |
Parts Added to Cart!
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Description
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More about this title
About the Composer: James Pierpont
James Pierpont (1822, 1893) composed one of America's most enduring melodies when he wrote "Jingle Bells" in 1857. Originally titled "One Horse Open Sleigh," the song became a staple of winter celebrations and has been arranged countless times across every conceivable musical style. Pierpont's gift for memorable melody made his work instantly singable, a quality that has allowed educators to introduce his composition to generations of students.
Why we love this
Billingsley's arrangement strips away the predictable and injects genuine swing energy into familiar material. The syncopated vocal writing and tight harmonies demand real musicianship from your singers, making this far more than a nostalgia play—it's a showcase piece that audiences genuinely enjoy hearing. The optional horns and choice of SoundPax or live jazz band instrumentation give you flexibility to build the arrangement to match your program's strengths.
What to expect
A confident reinterpretation of a beloved melody. The suspenseful opening creates intrigue before the music settles into a swinging groove with close vocal harmony that feels both sophisticated and joyful. This is a winter selection that swings rather than sleighs.
Who it's for
Choirs seeking a winter program piece with genuine musicality and contemporary flair. This arrangement engages singers who appreciate jazz idioms and audiences hungry for arrangements that honor a classic without leaning on novelty. It works for intermediate to advanced high school and adult choirs.
How to get the most out of it
- Lock the syncopated rhythms as a section before layering individual voice parts; these lines need precision to land the jazz feel rather than feel loose or uncertain.
- Balance vocal blend carefully during the tight harmony passages so no single voice disappears into the texture.
- Let the suspenseful introduction breathe and settle before the energy kicks in; the contrast makes the swing section hit harder.
- If using the SoundPax accompaniment, rehearse with it from the start so your singers internalize the groove rather than fighting against it.
How to use it
Position this as a high-energy centerpiece in a winter or holiday concert, especially if you're pairing it with more traditional seasonal selections. Its contemporary jazz voice and recorded accompaniment option make it ideal for programs blending classic holiday material with modern arrangements. The showstopping quality suits finale spots or set breaks where you want to shift the mood entirely.
Skills your students will build
- Singing syncopated rhythms with precision and groove
- Balancing blend and intonation in close jazz harmonies
- Interpreting and executing swing articulation and phrasing
- Coordinating vocal parts with recorded or live jazz accompaniment