Je le Vous Diray: SSA, a cappella Choral Octavo
French Chanson / arr. Russell Robinson
Item: 00-PO-0006542
Minimum order quantity: 20 copies
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About the Arranger: Russell Robinson

Russell Robinson is an arranger, composer, and conductor whose work spans over five decades in choral music education. A former associate dean at the University of Florida and past president of the Florida Music Educators Association, Robinson has guest conducted at major venues including Carnegie Hall, Lincoln Center, and the Kennedy Center, as well as at festivals and conferences across six continents. His published catalog exceeds 500 works in choral music, composition, arrangement, and music education resources.
Robinson's approach to choral arranging emphasizes accessibility without sacrificing musicality. His arrangements balance the needs of developing singers with the expressive demands of the repertoire, making him a trusted resource for directors seeking repertoire that engages both singers and audiences.
Why we love this
This arrangement proves that Renaissance charm doesn't require complexity. Robinson's setting captures the mischievous spirit of the original without taxing developing voices, making it genuinely fun to rehearse rather than a slog through historical styles. The repetitive form lets singers internalize the music quickly, freeing your rehearsal time for interpretation and personality instead of note-learning.
What to expect
Imagine a group of friends at a café, barely able to contain their laughter as they trade jokes and whispered comments. There's lightness here, even cheekiness, paired with the elegant architecture of Renaissance vocal writing. It's the musical equivalent of singing with a knowing smile.
Who it's for
This works brilliantly for choirs that need confident, immediately rewarding a cappella repertoire. Whether you're building ensemble cohesion with younger singers or programming a concert that mixes serious art music with moments of levity, this piece earns its place without requiring virtuosic technique.
How to get the most out of it
- Encourage singers to commit fully to the playful attitude. The humor lands only when the ensemble treats the gossip theme with theatrical awareness rather than reverent restraint.
- Use the language choice (English, French, or bilingual) to shape your interpretation. French creates a more authentic period flavor; English updates the humor for modern audiences.
- Balance the "la, la, la" sections so they feel conversational and light rather than mechanical. These moments should sound like animated chatter, not metronomic repetition.
How to use it
Program this as a palate cleanser between heavier choral works, or use it to close a concert on an upbeat, audience-friendly note. It also works wonderfully as an ice-breaker piece early in the rehearsal season when you want singers engaged and enjoying themselves rather than wrestling with new challenges.
Skills your students will build
- A cappella blend and balance in three-part harmony
- Rhythmic precision in repeated vocal patterns
- Musical characterization and dramatic interpretation
- Comfort switching between languages or language combinations
- Quick score absorption through motivic repetition