Je le Vous Diray: SATB, a cappella Choral Octavo
French Chanson / arr. Russell Robinson
Item: 00-PO-0006540
$1.65
Minimum order quantity: 20 copies
Pickup currently not available
Related Items
Je le Vous Diray: 3-Part Mixed, a cappella Choral Octavo |
$2.25
|
View | |
Je le Vous Diray: SSA, a cappella Choral Octavo |
$2.25
|
View | |
Je le Vous Diray: SATB, a cappella Choral Octavo |
$1.65
|
View | |
Je le Vous Diray: 3-Part Mixed, a cappella Choral Octavo |
$2.25
|
View | |
Je le Vous Diray: SSA, a cappella Choral Octavo |
$2.25
|
View |
Description
Rarely has Renaissance repertoire been this fun to sing or easy to identify with. Sung in English, French, or a combination of both, this playful tune pokes fun at gossiping and is best performed with a twinkle in the eyes! Light a cappella singing, repetitive musical form for easy learning, and a witty, candid attitude. "La, la, la, I'll say it anyway!"
Je le Vous Diray: SATB, a cappella Choral Octavo isn't in MakeMusic Cloud just yet...but it could be. Let us know you'd like to see it, and you'll help shape what comes next. In the meantime, start a free trial and dive into thousands of interactive titles your students can play along with today.
Request This Title
Tell us you want it.
Start Your Free Trial
Explore everything that's ready to play right now.
Sample Audio
1
Audio File
--:--
0:00
0:00
Sample Video
No sample videos found.
Additional Details
Series:
Alfred Choral Designs
Publisher:
Alfred Music
Page Count:
12
SKU:
00-PO-0006540
More about this title
About the Arranger: Russell Robinson
Russell Robinson's career spans five decades of conducting, composing, and arranging across six continents. He served as Emeritus Professor of Music Education at the University of Florida and held leadership roles including Associate Dean of the UF College of the Arts, past President of the Florida Music Educators Association, and National Collegiate Chair and Choral Adviser for the National Association for Music Education.
With over 500 published works in print, Robinson has established himself as a prolific creator of choral music, instrumental arrangements, articles, and educational resources. His credentials include appearances at major venues such as Carnegie Hall, Lincoln Center, the Kennedy Center, and the White House, as well as his 2016 induction into the FMEA Hall of Fame.
Why we love this
Robinson captures the comedic spirit of Renaissance storytelling while making it genuinely accessible for contemporary choirs. The repetitive structure and bilingual flexibility mean your singers learn quickly, freeing rehearsal time for the real work of nailing the attitude and ensemble blend that make this piece sing.
What to expect
The piece sparkles with mischief. Repetitive musical phrases create an infectious, almost gossip-like momentum, while the mix of French and English text (or full English translation) feels contemporary even within a Renaissance framework. Sing it with a wink and a knowing smile.
Who it's for
This octavo works beautifully for high school and college choirs seeking secular Renaissance repertoire that engages singers without requiring specialized technique. It's equally suited to community choirs and festival groups looking for something with genuine character and minimal rehearsal overhead.
How to get the most out of it
- Encourage singers to commit fully to the playful character; this piece demands personality, not perfection. The humor only lands if performers embrace the gossip-mongering spirit.
- Experiment with your language choice before rehearsals begin. A cappella French adds Continental flair, English keeps communication clear, and mixing both creates delightful variety across the piece.
- Balance the upper voices against the lower ones to ensure the melodic phrase doesn't get buried. The repetitive form means listeners rely on hearing the tune clearly to follow along.
How to use it
Position this as a palate-cleanser between heavier works on a concert, or pair it with other secular Renaissance pieces for a thematic set. Its brevity and accessibility make it an excellent choice for opening a program or closing the first half on a lighter note.
Skills your students will build
- Singing a cappella with secure intonation and blend across SATB
- Maintaining rhythmic precision in repetitive musical structures
- Combining language choices (French and English) within a single piece
- Projecting character and humor through vocal performance
- Reading Renaissance-style notation and melodic contours