Je le Vous Diray: 3-Part Mixed, a cappella Choral Octavo
French Chanson / arr. Russell Robinson
Item: 00-PO-0006541
$2.25
Minimum order quantity: 20 copies
Pickup currently not available
Related Items
Je le Vous Diray: SATB, a cappella Choral Octavo |
$1.65
|
View | |
Je le Vous Diray: SSA, a cappella Choral Octavo |
$2.25
|
View | |
Je le Vous Diray: SATB, a cappella Choral Octavo |
$1.65
|
View | |
Je le Vous Diray: 3-Part Mixed, a cappella Choral Octavo |
$2.25
|
View | |
Je le Vous Diray: SSA, a cappella Choral Octavo |
$2.25
|
View |
Description
Rarely has Renaissance repertoire been this fun to sing or easy to identify with. Sung in English, French, or a combination of both, this playful tune pokes fun at gossiping and is best performed with a twinkle in the eyes! Light a cappella singing, repetitive musical form for easy learning, and a witty, candid attitude. "La, la, la, I'll say it anyway!"
Je le Vous Diray: 3-Part Mixed, a cappella Choral Octavo isn't in MakeMusic Cloud just yet...but it could be. Let us know you'd like to see it, and you'll help shape what comes next. In the meantime, start a free trial and dive into thousands of interactive titles your students can play along with today.
Request This Title
Tell us you want it.
Start Your Free Trial
Explore everything that's ready to play right now.
Sample Audio
1
Audio File
--:--
0:00
0:00
Sample Video
No sample videos found.
Additional Details
Series:
Alfred Choral Designs
Publisher:
Alfred Music
Page Count:
12
SKU:
00-PO-0006541
More about this title
About the Arranger: Russell Robinson
Russell Robinson is an Emeritus Professor of Music Education at the University of Florida with a distinguished career spanning multiple continents. Over 300 appearances as a conductor, speaker, and consultant have taken him to festivals, honor choirs, and conferences across the United States, Europe, Asia, Africa, and beyond, as well as to stages including Carnegie Hall, Lincoln Center, the Kennedy Center, and the White House.
Robinson's contributions to music education and choral artistry are extensive. He served as Associate Dean of the UF College of the Arts, past President of the Florida Music Educators Association (inducted into their Hall of Fame in 2016), and National Collegiate Chair and Choral Adviser for the National Association for Music Education. His published work includes over 500 compositions, arrangements, articles, books, and instructional videos.
Why we love this
Robinson's arrangement transforms a Renaissance gem into something immediately accessible and genuinely entertaining for singers at all levels. The repetitive form and playful subject matter mean your singers will grasp the piece quickly and perform it with genuine joy rather than forcing expression into unfamiliar harmonic territory. The flexibility to perform it in English, French, or a blend gives you real programming options without requiring preparation of multiple editions.
What to expect
Witty and knowing, like overhearing a juicy rumor passed from friend to friend. The music bounces along with conspiratorial delight, inviting the singers to enjoy the joke alongside their audience and reminding everyone why Renaissance vocal music can be genuinely fun.
Who it's for
This works beautifully for mixed choirs at the secondary or community level, especially singers who thrive on repertoire with personality and humor. It's equally suited for all-female or all-male ensembles seeking something lighter than the standard canon.
How to get the most out of it
- Shape the phrasing around the gossip theme. The 'la, la, la' sections are perfect for exaggerated, conspiratorial energy that keeps the audience engaged.
- Balance the three parts carefully so the arrangement's simplicity feels intentional rather than thin. Each voice line should sing with full resonance.
- If performing bilingually, rehearse the language transitions clearly so singers don't lose confidence at the switch. Record the pronunciation separately if needed.
- Keep the tempo brisk enough to maintain the piece's playful character without sacrificing clarity on the text.
How to use it
Pair this with heavier a cappella fare to brighten a concert's second half, or open a program with it to set a warm, approachable tone. It also serves as an excellent palate cleanser between sacred works, especially in school or community settings where audience engagement matters.
Skills your students will build
- Part independence in three-part texture without harmonic complexity
- Text clarity and rhythmic unison in repeated sections
- Singing in French with consistent pronunciation across the ensemble
- Building confidence in a cappella singing through accessible, forgiving harmony
- Characterization and musical storytelling at an introductory level