If Ever I Would Leave You Cover Image

If Ever I Would Leave You: SAB <i>a cappella</i> Choral Octavo

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If Ever I Would Leave You Cover Image

If Ever I Would Leave You: SAB a cappella Choral Octavo

Lyrics by Alan Jay Lerner, music by Frederick Loewe / arr. Kirby Shaw

Item: 00-50269

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Description
The cherished love song from Camelot receives a classic choral treatment in this lush, a cappella setting. Equally suitable for large ensembles or small vocal jazz groups, Kirby Shaw's impressive arrangement presents Lerner and Loewe at their finest!

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Additional Details
Series: Alfred Pop Choral Series
Publisher: Alfred Music
Page Count: 8
UPC: 038081574394
SKU: 00-50269

More about this title

About the Composer: Frederick Loewe

Frederick Loewe (1901-1988) was an Austrian-American composer whose gift for memorable melody and harmonic sophistication shaped the golden age of musical theater. Working alongside lyricist Alan Jay Lerner, he created some of Broadway's most enduring scores, including Brigadoon, My Fair Lady, and Camelot, establishing a standard for theatrical composition that prioritized singability and emotional directness without sacrificing musical complexity.

Why we love this

Kirby Shaw's arrangement respects the emotional weight of Loewe's melody while giving it real harmonic depth that works beautifully in a cappella voicing. The SAB texture makes this accessible to developing ensembles, yet the jazz harmonies and arrangement sophistication reward singers who dig into the musicality. It's a piece that elevates any concert program with Broadway legitimacy while remaining genuinely singable.

What to expect

The piece carries the sweeping romanticism of Camelot without demanding operatic weight. Loewe's original melody feels intimate here, surrounded by warm jazz harmonies that suggest sophistication and vulnerability in equal measure.

Who it's for

This arrangement serves both traditional choral programs and jazz vocal ensembles equally well. Directors seeking a sophisticated yet accessible pop choral selection for mixed voices will find it strong enough for concert programs while approachable for SAB-level singers.

How to get the most out of it

  • Shape the main melody with gentle phrase arcs rather than constant intensity; the beauty of this song lives in restraint and emotional connection, not volume.
  • Balance the harmony voices so they support rather than compete with the lead line; Loewe's orchestration intuition carries through Shaw's voicing.
  • Lock the rhythm section (alto and bass lines) first in rehearsal; the jazz harmonies sit more securely when those foundation voices are rhythmically unified.
  • Spend time on the vowel unification within each voice part, particularly in the sustained harmonic passages where blend becomes the primary color.

How to use it

Position this as a concert centerpiece that bridges classical choral tradition and contemporary pop repertoire. It pairs naturally with other Broadway selections or stands alone as the emotional anchor of a mixed-repertoire program.

Skills your students will build

  • Blending sustained harmony lines in a cappella texture
  • Reading jazz chord extensions and contemporary harmonic language
  • Balancing leadership and supportive roles within three-part writing
  • Shaping melodic phrasing with attention to emotional subtext rather than technical display

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