I'm Beginning to See the Light: Choral Octavo SoundTrax CD

Michele Weir's arrangement captures the sophisticated harmonic language of this Duke Ellington-penned standard while building in accessible entry points for student singers. The solo and small group opportunities let different voices shine, and the recorded accompaniment keeps everyone locked in to authentic jazz phrasing and timing.

Warm, sophisticated, and gently swinging. The cool harmonies and space for individual voices create an intimate quality despite the ensemble setting, evoking the elegant restraint of classic jazz vocals.

Choirs at the intermediate level and above who want to tackle a recognizable jazz standard with harmonic depth and professional flair. This octavo works for concert programs, jazz-themed shows, or mixed repertoire sets where you need a song that engages both singers and audiences.

• Study the recorded accompaniment first as a section to internalize the swing feel and chord changes before adding text; the rhythm section's pocket is crucial to nailing the groove.
• Shape the phrasing around the jazz melody rather than forcing it into classical legit singing; this standard thrives on conversational, lyrical delivery.
• Balance the solo passages so they sit naturally in the mix; resist the urge to overpower the choir when ensemble moments return.
• Work out the harmonies slowly without the recording, then add the full accompaniment once part security is solid.

Pair it with other jazz standards from the Alfred Pop Choral Series to build a full jazz set, or use it as a stylistic pivot in a mixed concert to show your choir's range and interpretive flexibility. It also serves well as a standalone feature for a casual concert or jazz festival.

• Swing rhythms and jazz phrasing
• Reading and performing jazz harmonies
• Solo singing within an ensemble context
• Listening to and matching recorded accompaniment tempos and dynamics
• Balancing blend when multiple voice parts carry the melody