I'm Beginning to See the Light Cover Image

I'm Beginning to See the Light: Choral SoundPax

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I'm Beginning to See the Light Cover Image

I'm Beginning to See the Light: Choral SoundPax

Words and music by Don George, Johnny Hodges, Duke Ellington, and Harry James / arr. Michele Weir

Item: 00-38156

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Description
Everyone from Ella to Michael Bublé has taken a turn recording this popular jazz standard! Features cool chords and several solo/small group opportunities.

Don't just read it, hear it, play along with it, and watch your students grow with it. In MakeMusic Cloud, I'm Beginning to See the Light: Choral SoundPax comes alive with professional accompaniment, adjustable tempo, and built-in practice tools that turn solo practice into real progress.

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Additional Details
Series: Alfred Pop Choral Series
Publisher: Alfred Music
Page Count: 16
UPC: 038081426280
SKU: 00-38156
Instrumentation: SoundPax

More about this title

About the Composer: Don George

Don George was a prolific songwriter and composer who helped shape the sound of American popular music from the 1930s through the 1950s. Working alongside jazz luminaries like Duke Ellington and Harry James, George crafted melodies and lyrics that became standards, blending Tin Pan Alley sensibility with the harmonic sophistication of the jazz world.

His songwriting career flourished during the golden age of swing and bebop, a period when composers bridged the gap between popular song and jazz innovation. George's ability to write memorable hooks paired with jazz-friendly chord progressions made his work attractive to vocalists across genres, from pop singers to jazz interpreters.

Why we love this

This arrangement opens the door to authentic jazz history without demanding advanced harmonic analysis from your singers. Michele Weir's writing balances accessibility with genuine jazz flavor, and the built-in solo and small group opportunities mean every voice in your choir gets a moment to shine rather than sitting in sustained chords.

What to expect

Sophisticated yet approachable, this arrangement captures the elegance that made the tune a favorite for decades. Cool jazz harmonies wrap around singable melody lines, creating an atmosphere that feels both polished and playful.

Who it's for

Choirs with at least intermediate sight-reading skills and some exposure to jazz repertoire. This works equally well for high school show choirs, college jazz choirs, and adult community groups looking to expand beyond traditional choral literature.

How to get the most out of it

  • Shape phrases with a slight swing feel even when the notation doesn't specify it. This jazz standard lives in the space between straight rhythm and full swing, so rehearse both approaches and let your singers feel where the groove lands.
  • Use the recorded accompaniment during sectional rehearsals to anchor the chord changes in singers' ears. Jazz harmony can feel unfamiliar at first, but hearing it repeatedly builds confidence faster than talking through it.
  • Highlight the solo and small group passages in rehearsal. These singers are learning to carry melody over jazz changes, so isolate their lines and make sure they understand where they sit in the harmonic landscape.

How to use it

Pair this with other jazz standards or Ellington-era repertoire for a focused pop or jazz program, or use it as a bridge piece between classical and contemporary segments in a mixed concert. Its accessibility and performance energy also make it a strong closer for educational pops concerts.

Skills your students will build

  • Reading and singing jazz harmony (seventh chords, chord substitutions, altered dominants)
  • Swing rhythmic interpretation and phrasing over chord changes
  • Solo and small group performance within an ensemble context
  • Listening to chord progressions and understanding harmonic movement

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