I Get a Kick Out of You: Vocal Solo with Jazz Ensemble Conductor Score & Parts
Arr. Dave Wolpe
Grade: 3.5 (Medium)
Item: 00-PK-0005923
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About the Arranger: Dave Wolpe

Dave Wolpe began his arranging career in 1965 and has spent decades crafting charts for some of the most celebrated big band orchestras in American music. His work with the Glenn Miller Orchestra alone spans dozens of arrangements, and he served as co-arranger on the platinum-certified recording In the Christmas Mood. Beyond the Miller legacy, his arrangements have graced the stands of Ray Anthony, Lawrence Welk, and Les Brown, cementing his reputation as one of the most reliable voices in traditional jazz orchestration.
Why we love this
Wolpe's chart gives your vocalist room to breathe while keeping the ensemble engaged throughout. The dual-key format (B-flat and E-flat on reversible parts) means you can cast this standard with confidence, whether your singer sits low or high, without reprinting a single page. The alto solo and clean ensemble writing make this feel like a genuine jazz conversation, not a backing track.
What to expect
Sophisticated and swinging, with the ease of a seasoned performer settling into a familiar song. The arrangement lets the vocal melody float above crisp ensemble writing while maintaining the playful confidence the tune demands. You'll hear why this is a jazz repertoire staple.
Who it's for
Jazz singers building a standards book, and directors seeking a reliable vocal feature that sounds polished without sacrificing intimacy. This works for advanced high school jazz ensembles and college groups where the vocalist is the centerpiece of your sound.
How to get the most out of it
- Balance the vocalist's phrasing with the ensemble's swing feel; Wolpe leaves generous space, so use it to let your singer shape the melody without rhythmic pressure from the band.
- The alto solo deserves a strong player who can trade energy with the vocalist; rehearse that exchange separately so it feels like a real musical moment.
- Lock the rhythm section (piano, bass, drums) first, then layer the horns; this chart's cohesion depends on a solid harmonic pocket underneath.
How to use it
Feature this in a jazz concert's second set, where audiences have settled in and expect a showcase moment. It pairs naturally with other vocal standards and gives your ensemble a chance to shine as accompanists rather than soloists. Consider programming it near other Wolpe arrangements for a cohesive sound throughout the evening.
Skills your students will build
- Comping rhythmically and harmonically behind a vocalist
- Trading solo space (alto with vocalist) while maintaining ensemble cohesion
- Interpreting swing phrasing in a section setting
- Reading and performing from reversible parts in multiple keys