I Can See Clearly Now: Choral Octavo SoundTrax CD

Tim Hayden's arrangement captures the infectious optimism of Nash's original while tailoring the song specifically for choral performance. The funky groove and bluesy voice interplay make this feel fresh and contemporary rather than nostalgic, giving singers a piece that energizes both themselves and an audience. Programming this ensures your concert leaves people genuinely uplifted.

Stepping into sunshine. The arrangement radiates forward momentum and warmth, with the groove pulling singers into a confident, celebratory space. Bluesy harmonies and call-and-response moments keep the energy conversational and joyful rather than polished or formal.

Choirs seeking contemporary, high-energy repertoire that connects with diverse audiences. This works equally well for concert choirs looking to program something uplifting, community choruses wanting infectious fun, and show choirs drawn to pop standards.

• Lock in the rhythmic pocket early in rehearsal. The funky groove depends on precise ensemble timing, so isolate the rhythm foundation (bass line and kick pattern from the SoundTrax CD) before adding upper voices.
• Bring out the bluesy responses with character. These moments aren't background texture; they're call-and-response payoffs that deserve energy and definition.
• Consider the optional horn and rhythm parts if you have musicians available. They intensify the celebratory final section and transform the piece from choral-only to a full pop arrangement.
• Balance the fun interplay between voice parts so no single section dominates. The arrangement lives in the interweaving of parts, not in any one line carrying the song.

Position this in the second half of your concert where energy can build toward a climactic finish, or use it as a show-closing statement of positivity. It pairs naturally with other contemporary pop or soul-influenced choral works and provides immediate tonal contrast to classical or art song repertoire.

• Singing with a rhythmic pocket and funk-influenced groove
• Trading and balancing lines in call-and-response textures
• Blues-inflected phrasing and blue notes in a choral context
• Ensemble cohesion while maintaining individual voice part independence