I Can See Clearly Now Cover Image

I Can See Clearly Now: 3-Part Mixed Choral Octavo

$2.65 USD
Sale price  $2.65 USD Regular price 
Skip to product information
I Can See Clearly Now Cover Image

I Can See Clearly Now: 3-Part Mixed Choral Octavo

Words and music by Johnny Nash / arr. Tim Hayden

Item: 00-52304

Need it now?

Buy Digital Version
$2.65
Shipped

One moment…

Description
Welcome a "bright, sun-shiny day" with this fresh take on the chart-topping classic. This arrangement leaps to life with a funky groove that maintains its momentum from start to finish. Fun interplay between voices and some bluesy responses are a blast to sing and lead to a full-throttle celebration of "blue skies" ahead. This pop staple is a surefire way to deliver positivity on any program. Raise the roof with optional SoundPax parts for horns and rhythm section!

I Can See Clearly Now: 3-Part Mixed Choral Octavo isn't in MakeMusic Cloud just yet...but it could be. Let us know you'd like to see it, and you'll help shape what comes next. In the meantime, start a free trial and dive into thousands of interactive titles your students can play along with today.

Sample Pages

Sample Audio
0:00
0:00
Sample Video
Additional Details
Series: Alfred Pop Choral Series
Publisher: Alfred Music
Page Count: 12
UPC: 038081618265
SKU: 00-52304

More about this title

About the Composer: Johnny Nash

Johnny Nash rose to international fame in the early 1970s with his reggae-inflected pop sound, bringing Caribbean rhythms and uplifting messages to mainstream audiences. "I Can See Clearly Now" became his signature hit in 1972, reaching number one and establishing Nash as a vocalist capable of delivering infectious optimism alongside genuine musicianship. His work bridged pop, soul, and reggae at a time when such fusion was still uncommon in commercial music.

Why we love this

Tim Hayden captures the original's infectious energy while giving the SAB voicing room to shine with genuine harmonic interest and call-and-response moments that feel natural, not forced. The funky groove sits beautifully at a choral tempo, and the optional horn and rhythm section parts transform this from a vocal number into a full ensemble celebration. Directors get a crowd-pleasing program anchor that audiences recognize immediately and singers actually enjoy preparing.

What to expect

Sunlight breaking through clouds. The arrangement pulses with a confident, swaying groove that feels modern even though it's rooted in a classic hit. Voices interweave with playfulness and warmth, building toward genuine celebration rather than frantic energy.

Who it's for

Directors seeking a secular pop piece that energizes singers and audiences alike, without requiring significant vocal range or technical demands. This works equally well in middle school through adult choirs, especially those looking to program contemporary material alongside more traditional repertoire.

How to get the most out of it

  • Lock the rhythmic foundation by having the lower voices establish the groove early in rehearsals; this underpins everything else and allows the arrangement to breathe naturally.
  • Shape the bluesy responses as reactions rather than separate moments; they should feel conversational and spontaneous, not mechanical.
  • If using the optional instrumental parts, bring them in gradually during rehearsals so singers don't lose their independence before finding their own security.
  • Keep the tempo steady and energized throughout; any drag flattens the sunshine out of this arrangement.

How to use it

Position this as a spring or summer concert opener, or use it as a finale to pivot into a lighter second half of your program. The infectious groove and positive message make it an ideal choice for community concerts, pops programs, or any event where you want to establish an uplifting, accessible tone.

Skills your students will build

  • Singing in syncopated rhythms within a steady pulse
  • Maintaining independent vocal lines while listening to harmonic partners
  • Interpreting bluesy vocal inflections and phrasing
  • Balancing pop sensibility with clear choral diction
  • Responding to sectional cues and responding flexibly to arranging choices

You May Also Like