I Can See Clearly Now Cover Image

I Can See Clearly Now: SAB Choral Octavo

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I Can See Clearly Now Cover Image

I Can See Clearly Now: SAB Choral Octavo

Words and music by Johnny Nash / arr. Kirby Shaw

Item: 00-41695

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Description
Hot horns and syncopated vocals drive this rhythmic arrangement of the Billboard number one hit. Kirby's signature vocal stack shines a spotlight on every section of your ensemble. "It's gonna be a bright, bright sunshiny day!"

Don't just read it, hear it, play along with it, and watch your students grow with it. In MakeMusic Cloud, I Can See Clearly Now: SAB Choral Octavo comes alive with professional accompaniment, adjustable tempo, and built-in practice tools that turn solo practice into real progress.

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Additional Details
Series: Alfred Pop Choral Series
Publisher: Alfred Music
Page Count: 12
UPC: 038081467757
SKU: 00-41695

More about this title

About the Composer: Johnny Nash

Johnny Nash emerged as a distinctive voice in popular music during the 1970s, blending reggae influences with soul and pop sensibilities. His 1972 hit "I Can See Clearly Now" became an enduring standard, reaching number one on the Billboard Hot 100 and establishing Nash as a skilled songwriter with an ear for infectious melodies and uplifting lyrics.

Why we love this

Kirby Shaw's arrangement captures the infectious energy of the original while building the texture gradually through vocal stacking, giving every section of your ensemble a moment to shine. The syncopated rhythms and bright horn figures keep the piece moving without overwhelming singers still building confidence in pop repertoire.

What to expect

Bright and propulsive, driven by syncopated rhythms and hot horn figures that recall the original recording. The vocal stacking creates layers of energy that feel celebratory without requiring advanced blend or intonation skills, making the piece as fun to sing as it is to hear.

Who it's for

Directors looking for a crowd-pleasing pop arrangement that works well for mixed ensembles with developing singers. SAB voicing keeps the ranges accessible while Kirby Shaw's writing ensures musical interest and a genuine spotlight for every voice part.

How to get the most out of it

  • Lock the rhythm section (altos and basses) into the syncopated pulse early in rehearsal; their foundation makes the soprano lines sit cleanly on top.
  • Balance the vocal stack carefully during the full-ensemble sections so no part gets buried; use the recorded accompaniment to find where your singers sit in the mix.
  • Emphasize the lyrical hook with clarity and joy; the message of the text should shine through even when all three parts are moving together.
  • Shape the dynamics across sections to build momentum into the final statements; this arrangement rewards strategic crescendos that match the original's upbeat drive.

How to use it

Program this on a spring or end-of-year concert to close a set or cap off an evening on a high note; the optimistic energy and recognizable melody guarantee audience connection. It pairs well on a program mixing contemporary pop with more traditional choral fare, signaling accessibility and musical range.

Skills your students will build

  • Singing syncopated rhythms with precision and forward motion
  • Balancing individual lines within three-part harmony while maintaining part independence
  • Responding to rhythmic cues from accompaniment and rhythm section
  • Sustaining energy and diction through repetitive, hook-driven vocal figures

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