I Can See Clearly Now Cover Image

I Can See Clearly Now: SATB Choral Octavo

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I Can See Clearly Now Cover Image

I Can See Clearly Now: SATB Choral Octavo

Words and music by Johnny Nash / arr. Kirby Shaw

Item: 00-41694

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Description
Hot horns and syncopated vocals drive this rhythmic arrangement of the Billboard number one hit. Kirby's signature vocal stack shines a spotlight on every section of your ensemble. "It's gonna be a bright, bright sunshiny day!"

Don't just read it, hear it, play along with it, and watch your students grow with it. In MakeMusic Cloud, I Can See Clearly Now: SATB Choral Octavo comes alive with professional accompaniment, adjustable tempo, and built-in practice tools that turn solo practice into real progress.

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Additional Details
Series: Alfred Pop Choral Series
Publisher: Alfred Music
Page Count: 12
UPC: 038081467740
SKU: 00-41694

More about this title

About the Composer: Johnny Nash

Johnny Nash (1940-2020) was a Jamaican-American singer and songwriter who bridged reggae, pop, and soul throughout his career. His 1972 hit "I Can See Clearly Now" became an enduring standard, reaching number one on the Billboard Hot 100 and establishing Nash as a major voice in popular music during the early 1970s.

Why we love this

Kirby Shaw's arrangement captures the infectious groove of the original while giving every voice section a moment to shine through his signature vocal stack writing. The syncopated rhythms and hot horn parts energize singers and audiences alike, making this a crowd-pleasing choice that connects your choir to a beloved pop standard.

What to expect

Optimistic and propulsive, the piece captures the original's sense of clarity and forward momentum. The layered vocals and rhythmic drive create an energetic, celebratory sound that lifts both singers and listeners.

Who it's for

This arrangement works for intermediate to advanced SATB choirs seeking contemporary pop repertoire with strong vocal writing and ensemble involvement. Directors who want a feel-good showstopper that keeps all four voice parts actively engaged will find the vocal stack approach particularly rewarding.

How to get the most out of it

  • Lock the rhythmic unison passages as a section before layering the stacked vocal parts; precision here makes the syncopation land with impact.
  • Balance the recorded accompaniment carefully so the horn parts support rather than overshadow the vocal lines, especially during the densest moments.
  • Shape the dynamics to build momentum through the vocal stacks; each new layer should feel like an addition, not a competition for attention.
  • Maintain forward motion in the syncopated rhythms without rushing; the groove sits in the pocket between strict time and natural swing.

How to use it

Program this as a second-act opener or finale when you want a shift toward contemporary, uplifting energy. It pairs well alongside other pop standards in a concert format and works equally effectively as a standalone feature that showcases your ensemble's rhythmic sophistication and sectional blend.

Skills your students will build

  • Reading syncopated rhythms in pop style
  • Singing layered vocal stacks with clear part independence
  • Maintaining rhythmic precision while balancing with recorded accompaniment
  • Blending diverse vocal textures across all four voice parts

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