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Hooray for Hollywood: Choral Octavo SoundTrax CD

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Hooray for Hollywood Cover Image

Hooray for Hollywood: Choral Octavo SoundTrax CD

Words by Johnny Mercer, music by Richard A. Whiting / arr. Andy Beck

Item: 00-28672

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Description
Set the stage for a movie themed concert with this flashy arrangement that pays homage to the golden days of Hollywood. The bouncy 2-beat opens and closes with a show biz fanfare, features three celebrity impersonators, and includes a stylish kick-line at its glitzy height. A blockbuster! Featured on the "Hooray for Hollywood!" movement DVD #28868.

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Additional Details
Series: Alfred Pop Choral Series
Publisher: Alfred Music
UPC: 038081312163
SKU: 00-28672

More about this title

About the Composer: Richard A. Whiting

Richard A. Whiting (1891–1938) was a prolific American composer who helped define the sound of early Hollywood cinema. Working during the transition from silent films to talkies, Whiting crafted melodies that became standards of the era, collaborating with lyricists including Leo Robin and Johnny Mercer. His gift for writing singable, memorable lines made him invaluable to the studios and ensured his work remained in the cultural conversation long after his death.

Whiting's legacy in music education centers on his ability to balance sophistication with accessibility. His melodies work equally well in concert settings and educational contexts, making his music a natural choice for choral programs that want genuine theatrical flair without unnecessary complexity.

Why we love this

Andy Beck's arrangement captures all the spectacle of old Hollywood while keeping the musical focus sharp and the staging practical. The built-in comedy of the celebrity impersonators gives your singers permission to commit fully to the performance, and the recorded accompaniment lets you spend rehearsal time on the fun stuff: nailing the kick-line and building ensemble energy rather than grinding away at rhythm.

What to expect

Pure entertainment. The bouncy 2-beat and brass-band harmonies evoke a time when popular music was unapologetically upbeat and designed for maximum audience pleasure. There's comedy built into the arrangement, the glitzy fanfare sections feel genuinely fun rather than corny, and the energy never flags.

Who it's for

Any choir looking to program a concert theme that feels celebratory and theatrical without leaning on contemporary pop styles. This works equally well as a closing number for a pops concert or as the centerpiece of a movie-themed show; high school and community choirs will find it instantly rewarding to perform.

How to get the most out of it

  • Assign the three celebrity impersonator moments early in rehearsal. Let singers experiment with characterization and accent choices; this builds confidence and gets the piece out of pure vocal mode and into theatrical mode where it belongs.
  • Use the recorded accompaniment to lock the bounce and 2-beat feel. If your accompanist is playing live, have them listen to the track multiple times beforehand to internalize the exact rhythmic pocket.
  • Work the kick-line as a choreographic unit, not as individual singers. Even a simple synchronized step or arm movement will read as polished from the audience's perspective and will energize your singers.

How to use it

Close a pops concert with this to leave the audience smiling, or build an entire movie-themed concert around it. It pairs well with standards from other golden-age Hollywood composers and gives your program a clear visual and sonic identity that audiences remember.

Skills your students will build

  • Maintaining steady 2-beat feel in upbeat ensemble singing
  • Executing rhythmic precision in fanfare sections with multiple voice parts
  • Synchronizing choreography with vocal entrances and musical phrases
  • Sustaining bright vowel formation and projection during fast-moving comedy numbers
  • Responding to theatrical character development (the impersonator moments) while maintaining musical accuracy

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