Have Yourself a Merry Little Christmas Cover Image

Have Yourself a Merry Little Christmas: Choral SoundPax

$60.00 USD
Sale price  $60.00 USD Regular price 
Skip to product information
Have Yourself a Merry Little Christmas Cover Image

Have Yourself a Merry Little Christmas: Choral SoundPax

Words and music by Hugh Martin and Ralph Blane / arr. Mark Hayes

Item: 00-27343

makemusic Cloud badge

Need it now?

Buy Digital Version
$60.00
Shipped

One moment…

Description
One of the best and most popular Christmas songs has been expertly arranged by Mark Hayes. The choral voicing is beautiful, and is designed to showcase your singers. The piano accompaniment is flowing and supportive, and the Trax/Pax are stunning.

Don't just read it, hear it, play along with it, and watch your students grow with it. In MakeMusic Cloud, Have Yourself a Merry Little Christmas: Choral SoundPax comes alive with professional accompaniment, adjustable tempo, and built-in practice tools that turn solo practice into real progress.

Sample Pages

Sample Audio
0:00
0:00
Sample Video
Additional Details
Series: Alfred Pop Choral Series
Publisher: Alfred Music
Page Count: 33
UPC: 038081296036
SKU: 00-27343
Instrumentation: SoundPax

More about this title

About the Composer: Ralph Blane

Ralph Blane (1914–1995) was an American songwriter and lyricist who shaped popular music during the Golden Age of Hollywood musicals. His collaborations with Hugh Martin produced some of the most enduring holiday standards, including "Have Yourself a Merry Little Christmas," which debuted in the 1944 film "Meet Me in St. Louis." Blane's gift for crafting lyrics that balance sentimentality with genuine warmth made his work accessible to singers and audiences of all ages.

Beyond his holiday catalog, Blane contributed to numerous Broadway and film productions, demonstrating versatility across musical comedy and dramatic material. His melodies remain favorites in educational and professional choral settings because they combine sophisticated harmonic possibilities with immediate appeal to performers and listeners alike.

Why we love this

Mark Hayes's arrangement transforms this beloved standard into a vehicle that genuinely showcases your singers without overcomplicating the message. The voicing sits naturally for mixed choirs, and the jazz and pop sensibilities bring fresh energy to holiday programming while honoring the song's essential warmth.

What to expect

Nostalgic and intimate, yet never saccharine. Hayes's arrangement honors the song's reflective quality while infusing it with subtle swing and modern harmonic color. The piece feels like a quiet moment during the holiday rush—genuine, sincere, and grounded.

Who it's for

Mixed choirs of any age who want a Christmas piece with genuine artistic merit and seasonal appeal. High school, college, and adult community choirs will find the arrangement sophisticated enough to engage accomplished singers while remaining accessible to those newer to jazz-influenced voicing.

How to get the most out of it

  • Balance the melodic line across your voice sections so no single part dominates; the arrangement's beauty lies in its blend rather than individual prominence.
  • Shape the piano accompaniment to breathe with the singers. The flowing support works best when the accompanist listens actively and follows the singers' phrasing rather than driving a steady tempo.
  • Explore the dynamic arc of the entire piece. Hayes has crafted subtle opportunities for growth and release; mark these in rehearsal so the arrangement's trajectory becomes clear to all singers.
  • Lean into the jazz inflections (swing rhythms, chord voicings) without losing the song's conversational intimacy. Precision in these details separates a polished performance from a generic one.

How to use it

Feature this as a centerpiece of a holiday concert or as part of a secular Christmas set. The arrangement works equally well in a concert of pops and jazz standards or as a moment of introspection within a larger holiday program.

Skills your students will build

  • Jazz articulation and swing rhythms in a mixed choir setting
  • Balancing melodic and harmonic roles across voice parts
  • Collaboration between singers and accompanist to shape phrasing and dynamics
  • Interpretation of a well-known song through fresh arranging choices

You May Also Like