Harmony's Never Too Late Cover Image

Harmony's Never Too Late: Choral SoundPax

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Harmony's Never Too Late Cover Image

Harmony's Never Too Late: Choral SoundPax

Lyrics by Lynn Ahrens, music by Stephen Flaherty / arr. Mark Hayes

Item: 00-49706

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Description
This powerful choral anthem was written by Broadway songwriters Lynn Ahrens and Stephen Flaherty in honor of the 40th anniversary of The Gay Men's Chorus of Washington, DC. Lynn's text uses harmony as a metaphor to represent acceptance, and Stephen's inspirational music is a canvas of hope and strength. Robust piano, bass, and drum parts provide a sturdy pop accompaniment for three full voicings designed to accommodate any four-part group. 

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Additional Details
Series: Alfred Pop Choral Series
Publisher: Alfred Music
UPC: 038081567938
SKU: 00-49706

More about this title

About the Composer: Stephen Flaherty

Stephen Flaherty has established himself as one of Broadway's most prolific and versatile composers, creating music across musical theater, film, and concert works. His collaborations with lyricist Lynn Ahrens have produced beloved shows including Ragtime, Anastasia, and Hadestown, earning him Tony Awards and widespread recognition for his ability to blend contemporary sensibilities with emotional depth. His concert and choral works bring the same theatrical craftsmanship and accessibility that define his stage music, making him a natural voice for ensemble compositions.

Why we love this

Flaherty and arranger Mark Hayes have created something rare: a contemporary pop anthem with genuine substance. The piece balances infectious musicality with meaningful text about acceptance and community, giving singers something substantive to perform rather than simply executing pop gestures. Three full voicings and flexible four-part scoring mean this works for choirs of varying sizes and configurations, while the robust piano, bass, and drum accompaniment feels current and energizing without demanding specialized instrumentation.

What to expect

The music radiates optimism and strength without sentimentality. Flaherty's gift for memorable melody combines with a pop sensibility that feels energizing and contemporary, while Ahrens's text anchors everything in genuine emotion about acceptance and belonging. This is a piece that makes singers feel the significance of what they're performing.

Who it's for

This works beautifully for community choirs, educational ensembles, and church choirs seeking repertoire that speaks to modern values while maintaining musical integrity. Any four-part group can perform it effectively, whether you're working with treble, lower, or mixed voices.

How to get the most out of it

  • Balance the three choral voicings so that all parts remain audible; the pop accompaniment can easily overshadow lighter upper voices if the ensemble doesn't anchor the sound with confident singing throughout.
  • Let the rhythm section breathe and drive the piece; these parts are written to propel the music forward, so avoid pulling back the tempo or tightening the groove.
  • Shape the text as carefully as you would in a traditional choral work, even though the style is contemporary. Flaherty's partnership with Ahrens means the language about harmony and acceptance carries weight and deserves clear diction and emotional intention.

How to use it

Consider this for a season-opening or season-closing concert where you want to establish an inclusive, forward-looking tone for your ensemble. It pairs well alongside both traditional and contemporary repertoire and works equally effectively as a concert opener or as part of a thematic program about community, identity, or social values.

Skills your students will build

  • Singing contemporary pop styles with proper diction and phrasing
  • Balancing multiple choral voicings in a dense harmonic texture
  • Working with a rhythm section (piano, bass, drums) as an accompaniment ensemble
  • Interpreting text that carries social and emotional meaning

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