Haman, A Wicked Man - Piano Solo with Lyrics: Piano Solo with Lyrics
12 Appealing Piano Arrangements
Arranged by Carol Matz
Level: Elementary / Late Elementary
Item: 00-PS-0017343
Pickup currently not available
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Description
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More about this title
About the Arranger: Carol Matz

Carol Matz brings three decades of piano teaching experience into her arranging work, having composed and arranged more than 300 published titles for students at all levels. Her studies in composition, arranging, and orchestration at the University of Miami prepared her to write idiomatically across ensembles—from orchestras and jazz big bands to chamber groups—though her primary focus remains creating accessible piano repertoire that engages young musicians.
Matz has led piano pedagogy workshops internationally, sharing her philosophy of pairing technique with genuine musical enjoyment. Her Famous & Fun series, published by Alfred Music, has become a staple in studios and classrooms worldwide, known for its balance of cultural authenticity and student appeal.
Why we love this
Matz respects the melodic integrity of these Hebrew and Yiddish sources while writing piano accompaniments that feel fresh and engaging rather than overly simplified. Elementary and late-elementary pianists get real musical substance here, and the inclusion of lyrics invites connection to the cultural and spiritual meaning behind each song. The Federation Festivals selection validates what teachers already know: this book delivers festival-ready repertoire that students genuinely want to play.
What to expect
These arrangements balance warmth with sprightliness. Some pieces, like Chad Gadya and My Dreidel, bounce along with playful energy, while others like Eiliyahu Hanavi carry a contemplative, almost processional quality. Throughout, the piano writing feels conversational rather than precious—accompaniments that support the melody without overshadowing it.
Who it's for
Elementary and late-elementary pianists preparing recital repertoire that connects them to Jewish musical traditions. Teachers seeking festival-appropriate material that also works beautifully in holiday concerts or community performances. Piano students who respond well to folk melodies and the emotional resonance of culturally grounded music.
How to get the most out of it
- Shape the melody through dynamic and pedal choices rather than rushing the tempo. These familiar melodies deserve space to breathe, especially in slower pieces like Adon Olam.
- If you choose to sing along with the lyrics, let the piano sit naturally in the background without trying to match vocal phrasing exactly. The piano part is self-contained.
- Honor the cultural weight of these pieces. A piece like Sh'ma Yisrael carries spiritual significance, and thoughtful pacing will make that apparent to listeners.
- Experiment with the suggested pedaling, but also develop your own ear for when the harmony changes warrant releasing the pedal to avoid mud.
How to use it
This collection works beautifully in a winter concert showcasing cultural diversity, or as part of a Chanukah-specific program. You might also select individual pieces to supplement recital offerings across the season, since not every piano student needs the entire book. A Federation Festivals selection means students preparing for adjudication have a reliable source for authentic, well-crafted folk arrangements.
Skills your students will build
- Pedaling choices that serve harmonic change and melodic phrasing
- Balance between accompaniment and melody line
- Expressive playing of folk melodies with cultural context
- Sight-reading rhythmic patterns common to Hebrew and Yiddish music
- Stylistic awareness across different Jewish musical traditions